
Auto-Gain sets it in about 10 seconds.
Select a channel, press AUTO and play or sing at your loudest level. Clip Protection applies a hardware limiter before the analog-to-digital converters.
Pickup currently not available
The Universal Audio Volt 2 Max is a 10-in/4-out desktop USB audio interface with two Tone Shaping preamps and Max Processing, an onboard real-time compressor with six presets for vocals, guitar and bass. It converts audio at up to 32-bit / 192 kHz over USB-C.
Tone Shaping has three modes, Warmth, Focus and Shine, and Max Processing has six presets: Great Vocal, Rap Vocal, Album Vocal, Electric Guitar, Jangly Acoustic and Tight Bass. The presets are based on UA 1176, LA-2A and VCA compressor designs, and each can be combined with any Tone Shaping mode for more than 18 character combinations. Both are selectable per channel, and direct monitoring includes the Tone Shaping and Max compression.
Two combo XLR/TRS mic/line inputs with independent +48V phantom power and two front-panel Hi-Z instrument inputs support recording several sources. A built-in talkback microphone, two headphone outputs sharing one cue mix, an optical input for eight channels of ADAT or two of S/PDIF, MIDI In and Out and a USB hub complete the connections. A full-colour Smart Display shows levels and gain reduction, and Auto-Gain and Clip Protection help set recording levels. The Volt 2 Max is USB bus-powered, includes built-in loopback, works with UAD Console and LUNA, and comes with the UAD Volt Studio Bundle.

Select a channel, press AUTO and play or sing at your loudest level. Clip Protection applies a hardware limiter before the analog-to-digital converters.

Each mode applies an EQ curve and harmonic saturation derived from analog hardware, and saturation increases as you add gain.

Great Vocal, Rap Vocal, Album Vocal, Electric Guitar, Jangly Acoustic and Tight Bass, with gain reduction shown on the Smart Display.

Three modes. Warmth: tube-style glow with soft transients. Focus: punchy transients with clarity. Shine: a full sound with a silky top end. Each includes an EQ curve and harmonic saturation.

Onboard real-time compression with six presets, based on UA 1176, LA-2A and VCA designs. Pair any preset with any Tone mode for more than 18 combinations.

A full-colour display shows inputs, levels, settings and gain reduction. Auto-Gain sets levels; Clip Protection limits peaks before conversion.

Optical input for up to eight ADAT channels or two S/PDIF channels, MIDI In and Out, a USB hub, talkback mic and two headphone outputs with one shared cue mix.
| Microphone/Line Preamp Inputs | Two combo XLR/TRS |
|---|---|
| Instrument Inputs | Two ¼" TS |
| Monitor Outputs | Two |
| Headphone Outputs | One 1/4" stereo One 1/8" stereo |
| USB (Type-C connectors) | One USB 2.0 host port (bus-power capable) · One USB 5VDC power port · One USB hub port |
| MIDI | In, out (two 3.5 mm Type-A) |
| Supported Sample Rates (kHz) | 44.1, 48, 88.2, 96, 176.4, 192 |
|---|---|
| Bit Depth Per Sample | 32 |
| Simultaneous A/D Conversion | Two channels |
| Simultaneous D/A Conversion | Four channels (2 main, 1 stereo headphone) |
| Available Gain | 60 dB |
|---|---|
| Tone Shaping (selectable per channel) | Warmth, Focus, Shine |
| Max Processing (selectable per channel) | Great Vocal, Rap Vocal, Album Vocal, Electric Guitar, Jangly Acoustic, Tight Bass |
| Frequency Response | 20 Hz to 20 kHz, ±0.08 dB |
|---|---|
| Dynamic Range (A–weighted) | 119 dB |
| Total Harmonic Distortion + Noise (1 kHz @ -1 dBFS): -110 dB (0.0003 %) | |
| Maximum Input Level | 14 dBu |
| Input Impedance | 2 Kilohms |
| Phantom Power | +48V (switchable per channel) |
| Connector Type | XLR Female, pin 2 positive |
| Frequency Response | 20 Hz to 20 kHz, ±0.02 dB |
|---|---|
| Dynamic Range (A–weighted) | 116 dB |
| Total Harmonic Distortion + Noise (1 kHz @ -1 dBFS): -108 dB (0.0004 %) | |
| Maximum Input Level | 13 dBu |
| Input Impedance | 1 Megohms |
| Connector Type | ¼" TS unbalanced |
| Frequency Response | 20 Hz to 20 kHz, ±0.05 dB |
|---|---|
| Dynamic Range (A–weighted) | 119 dB |
| Total Harmonic Distortion + Noise (1 kHz @ -1 dBFS): -108 dB (0.0004 %) | |
| Maximum Input Level | 22 dBu |
| Input Impedance | 10 Kilohms |
| Connector Type | ¼" TRS balanced or TS unbalanced |
| Frequency Response | 20 Hz to 20 kHz, ±0.05 dB |
|---|---|
| Dynamic Range (A–weighted) | 126 dB |
| Total Harmonic Distortion + Noise (1 kHz @ -1 dBFS): -112 dB (0.0003 %) | |
| Maximum Output Level | 20.2 dBu |
| Output Impedance | 200 Ohms |
| Connector Type | ¼" TRS balanced |
| Frequency Response | 20 Hz to 20 kHz, ±0.08 dB |
|---|---|
| Dynamic Range (300 Ohms, A–weighted) | 116 dB |
| THD + Noise (1 kHz @ -1 dBFS, 300 Ohms) | -103 dB (0.0007 %) |
| Maximum Output Power into 32 Ohms | 45 mW per channel |
| Maximum Output Power into 300 Ohms | 24 mW per channel |
| Connector Type | ¼" TRS Stereo |
| Connector Type | Optical TOSLINK JIS F05 (shared with ADAT) |
|---|---|
| Format | IEC 958 |
| Supported Sample Rates (kHz) | 44.1, 48, 88.2, 96, 176.4, 192 |
| Connector Type | Optical TOSLINK JIS F05 (shared with S/PDIF) |
|---|---|
| Format | ADAT Digital Lightpipe with S/MUX |
| Supported Sample Rates (kHz) | 44.1, 48, 88.2, 96, 176.4, 192 |
| Channel Assignments @ 44.1 kHz, 48 kHz | Channels 1 – 8 |
| Channel Assignments @ 88.2 kHz, 96 kHz | Channels 1 – 4 |
| Channel Assignments @ 176.4 kHz, 192 kHz: Channels 1 – 2 | |
| Synchronization Sources | Internal, ADAT, S/PDIF |
| DC Input Connector Type | USB-C |
|---|---|
| DC Requirements | 5VDC (bus-power capable via Host port) |
| Power Consumption (@5VDC) | 4.1 W typical, 5.7 W maximum |
| Ambient Temperature Range | 32° to 104° F (0° to 40° C) |
|---|
| Chassis (including knobs) | Width x Depth x Height 7.5 x 4.5 x 2.1 in (18,1 x 11,5 x 5,4 cm) |
|---|---|
| Shipping Box | Width x Depth x Height 9.3 x 5.3 x 4.7 in (23,6 x 14,6 x 12,0 cm) |
| Shipping Weight (with box & accessories): 2.8 lbs (1.3 kg) | |
| Weight (bare unit) | 1.3 lbs (0.6 kg) |
|---|---|
| Volt 2 Max USB audio interface | |
| One-meter USB cable (Type-C to Type-C) | |
| Important safety instructions | |
| End-user license agreement |
| LUNA (DAW) | |
| Topline Vocal Tune | |
| UA 610 Tube Preamp & EQ Collection | |
| Century Tube Channel Strip | |
| Teletronix LA-2A Tube Compressor | |
| UA 1176 Classic FET Compressor | |
| Pure Plate Reverb | |
| Galaxy Tape Echo | |
| Oxide Tape Recorder | |
| Vibe Analog Machines and Vibe Analog Machines Essentials | |
| PolyMAX Synth | |
| Anthem Analog Synth | |
| UAD Lion '68 Super Lead Amp | |
| UAD Showtime '64 Tube Amp |
| Melodyne Essential by Celemony | |
| Ampeg SVT-VR Classic Bass Bundle by Plugin Alliance (Ampeg SVT-VR Classic, bx_Tuner, bx_Masterdesk_Classic) | |
| Virtual Drummer DEEP by UJAM | |
| Virtual Bassist DANDY by UJAM | |
| Splice INSTRUMENT | |
| Prisma - Producer Lab by UVI | |
| FL Studio Producer Edition (3 months free) | |
| Access to exclusive Puremix audio education content |
| macOS and Windows | Available USB 2.0 (or higher) port; USB cable (included); Intel, AMD or Apple silicon processor; Windows 10 64-bit or newer; macOS 12 Monterey or newer; internet connection for software downloads |
|---|---|
| iPad and iPhone | iPadOS / iOS 16 or newer. Devices with a Lightning port need an Apple Lightning to USB Camera Adapter. |
| DAW compatibility | All major DAWs, including Ableton Live, FL Studio, GarageBand, Logic Pro, Pro Tools and more |
| Windows driver | Windows uses the ASIO driver, available in the UA Connect app. Mac and iOS/iPadOS need no driver (class-compliant). |
| Requirements for bus-power vary by model and device. All specifications are subject to change without notice (per the maker). |
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