{"title":"Microphone Preamps","description":null,"products":[{"product_id":"focusrite-octopre-series-clarett-plus-octopre","title":"Focusrite Clarett+ OctoPre 8-Channel Microphone Preamplifier","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eThe Clarett+ OctoPre is the eight-channel ADAT preamp designed to bring pure analogue sound to your studio.\u003c\/p\u003e\n\u003cp\u003eThe eight Clarett preamps have been meticulously engineered to bring authentic large-format studio sound to any ADAT enabled interface. All-analogue Air mode, with impedance switching, recreates the legendary effect of Focusrite's ISA mic pres, adding clarity and presence to drums, guitars and vocals. Two JFET instrument inputs capture the true characteristics of guitars, just like plugging into an amp. High-quality A-D\/D-A converters brings audio clarity to studio tracking sessions with high dynamic range, ultra-low noise, and ultra-low distortion. Ten balanced outputs are hum-free for pristine monitoring, mixing and mastering with studio monitors.\u003c\/p\u003e\n\u003cp\u003eAdd Clarett+ OctoPre to a 2Pre, 4Pre or 8Pre to expand your I\/O easily and consistently via ADAT. Record the whole band together while maintaining analogue purity and clarity as well as bringing the classic Focusrite Studio Console sound to your recordings.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eEight inputs, eight outputs; eight Clarett mic pres with two Hi-Z JFET instrument inputs, eight balanced outputs and eight-in, eight-out over ADAT.\u003c\/li\u003e\n  \u003cli\u003eAll-analogue Air mode, with impedance switching, adds presence and clarity to your recordings, recreating the legendary character of the ISA.\u003c\/li\u003e\n  \u003cli\u003eLow distortion, 24-bit\/192 kHz converters with up to 124dB dynamic range deliver incredible sound quality.\u003c\/li\u003e\n  \u003cli\u003eHigh-quality inserts preserve the sound of your studio outboard, and effortlessly bring your favourite hardware into your session.\u003c\/li\u003e\n  \u003cli\u003eADAT connectivity to bring pure sound to any studio.\u003c\/li\u003e\n  \u003cli\u003eThree-year warranty and award-winning customer support for life.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":51230666031327,"sku":null,"price":113667.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Focusrite-Octopre-Series-Clarett-Plus-OctoPre-PIG-01.jpg?v=1787117403"},{"product_id":"focusrite-octopre-series-scarlett-octopre","title":"Focusrite Scarlett OctoPre 8-Channel Microphone Preamplifier","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eThe Scarlett OctoPre is the ideal 8-channel expansion for any Scarlett - or other digital interface with ADAT inputs. ADAT is a simple and easy way of increasing the number of simultaneous recording channels available in your studio. With eight channels of Focusrite's 2nd generation Scarlett preamps and precision A-D conversion at sample rates up to 192 kHz, Scarlett OctoPre is the ideal way of increasing the number of inputs in your studio. It also offers eight balanced line outputs, sourced directly from their respective mic preamps for use on stage in a live environment.\u003c\/p\u003e\n\u003cp\u003eEight natural-sounding 2nd generation Scarlett mic\/line inputs deliver high headroom, plenty of clean gain, low noise and minimal distortion - ideal for tracking drums as well guitars, keyboards, vocals and more. The front panel features two newly-designed instrument inputs with extended headroom. ADAT outputs let you connect to any interface or digital system with ADAT optical inputs, and analogue line outputs let you feed an analogue console at the same time as recording with the digital outputs.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eEight natural-sounding 2nd generation Scarlett mic preamps\u003c\/li\u003e\n  \u003cli\u003eEight balanced line inputs\u003c\/li\u003e\n  \u003cli\u003eFocusrite precision A-D conversion up to sample rates of 192 kHz\u003c\/li\u003e\n  \u003cli\u003eDual front-panel instrument inputs\u003c\/li\u003e\n  \u003cli\u003ePad on every channel for extra headroom - ideal for loud sources such as drums\u003c\/li\u003e\n  \u003cli\u003eEight balanced line outputs - ideal for live use\u003c\/li\u003e\n  \u003cli\u003eAccurate 5-segment LED input metering\u003c\/li\u003e\n  \u003cli\u003eSimple ADAT connectivity via optical cables\u003c\/li\u003e\n  \u003cli\u003e48V Phantom power available on every channel for condenser mics\u003c\/li\u003e\n  \u003cli\u003eState-of-the-art digital clocking with Word Clock I\/O for synchronisation with external devices\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":51230666162399,"sku":null,"price":69910.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Focusrite-Octopre-Series-Scarlett-OctoPre-PIG-01.webp?v=1787117420"},{"product_id":"focusrite-octopre-series-scarlett-octopre-dynamic","title":"Focusrite Scarlett OctoPre Dynamic 8-Channel Microphone Preamplifier and Compressor","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eExpand your studio with eight mic\/line inputs, eight line outputs, Focusrite precision conversion up to 192 kHz AD\/DA and analogue compression on every channel.\u003c\/p\u003e\n\u003cp\u003eThe Scarlett Octopre Dynamic builds on the features of the Scarlett OctoPre, adding analogue compression to all input channels and eight channels of precision D-A conversion. With dual ADAT* optical I\/O, its ideal for expanding a Scarlett 18i8 or 18i20 - or any interface with ADAT I\/O.\u003c\/p\u003e\n\u003cp\u003eScarlett OctoPre Dynamic is the ideal way of adding eight extra mic\/line inputs to your DAW. It also offers eight balanced line outputs, sourced directly from their respective mic preamps for use on stage in a live environment.\u003c\/p\u003e\n\u003cp\u003eFeaturing eight channels of Focusrite's 2nd generation Scarlett preamps and a soft-knee VCA compressor on every channel. Scarlett OctoPre Dynamic lets you control the dynamics of all your input signals with an easy-to-use single-knob analogue compressor on every channel. There's a transparent mode for subtle compression plus a \"More\" button that doubles the ratio for compression with effect.\u003c\/p\u003e\n\u003cp\u003eIn addition to the eight input channels, Scarlett OctoPre Dynamic includes eight line outputs, sourced either from the ADAT inputs for eight additional analogue outputs, or directly from the mic inputs for use in a live sound environment.\u003c\/p\u003e\n\u003cp\u003eScarlett OctoPre Dynamic is ideal for expanding any high quality, multi-channel recording system. With its high-headroom mic, line and dual instrument inputs and analogue compression, it's ideal for tracking drums as well guitars, keyboards, vocals and more. Meanwhile the eight outputs give you the option of expanding your analogue outputs over and above the Scarlett OctoPre.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eEight natural-sounding 2nd generation Scarlett mic preamps\u003c\/li\u003e\n  \u003cli\u003eFlexible analogue compression on every channel\u003c\/li\u003e\n  \u003cli\u003eEight balanced line inputs\u003c\/li\u003e\n  \u003cli\u003eFocusrite precision AD\/DA conversion up to sample rates of 192 kHz\u003c\/li\u003e\n  \u003cli\u003eDual front-panel instrument inputs\u003c\/li\u003e\n  \u003cli\u003eOptimized headroom for tracking loud sources such as drums\u003c\/li\u003e\n  \u003cli\u003eEight balanced line outputs - ideal for live use\u003c\/li\u003e\n  \u003cli\u003eAccurate 5-segment LED input metering\u003c\/li\u003e\n  \u003cli\u003eSimple ADAT connectivity via optical cables\u003c\/li\u003e\n  \u003cli\u003e48V Phantom power available on every channel for condenser mics\u003c\/li\u003e\n  \u003cli\u003eState-of-the-art digital clocking with Word Clock I\/O for synchronisation with external devices\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":51230666326239,"sku":null,"price":97973.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Focusrite-Octopre-Series-Scarlett-OctoPre-Dynamic-PIG-01.webp?v=1787117428"},{"product_id":"universal-audio-la-610-mk2-classic-tube-recording-channel","title":"Universal Audio LA-610 Mk2 Classic Tube Recording Channel","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eAdd a Classic Tube Mic Preamp \u0026amp; LA-2A-style Compressor to your Studio\u003c\/h4\u003e\n\u003cp\u003eThe LA-610 MkII combines a hand-built in the USA, all-tube, vintage mic preamp design — heard on classic albums by Coldplay, The Beach Boys, and Van Halen — with authentic Teletronix T4 opto-compression circuitry.\u003c\/p\u003e\n\u003cp\u003eThis classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eTrack with the Legendary 610 Preamp\u003c\/h4\u003e\n\u003cp\u003eThe LA-610 MkII is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 MkII will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eAdd Toneful Tube Compression\u003c\/h4\u003e\n\u003cp\u003eThe LA-610 Mk II’s T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or \"T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photoresistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 MkII’s legendary preamp and compression circuits.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\u003c\/li\u003e\n  \u003cli\u003eCompress signals with authentic Teletronix T4 opto-compression tube circuitry\u003c\/li\u003e\n  \u003cli\u003eShape your tones further with High and Low frequency shelving tube EQ\u003c\/li\u003e\n  \u003cli\u003eRecord your tracks through vintage UA, \"handmade in the USA,\" circuits\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":51263802310879,"sku":"UAD-0004","price":251306.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Universal-Audio-ANALOG-HARDWARE-Channel-Strip-Series-LA-610-Mk2-Classic-Tube-Recording-Channel-PIG-01.webp?v=1787649962"},{"product_id":"universal-audio-solo-610-classic-tube-single-channel-mic-pre","title":"Universal Audio Solo\/610 Classic Tube Single Channel Mic Pre","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eGet the All-Tube 610 Console Mic Preamp Sound in a Rugged, “Go Anywhere” Design\u003c\/h4\u003e\n\u003cp\u003eThe SOLO\/610 delivers the classic Putnam 610 tube console sound in a portable, highly versatile mic preamp design. It provides the silky, vintage warmth of the original console’s mic amp design, and will flatter and enhance any microphone or instrument with its iconic tones. Thanks to its convenient form factor, the SOLO\/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO\/610 maintains the character of the 610 console — at a price every serious project studio can afford.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eRecord through the classic tube circuit of the Putnam 610 console mic preamp and DI\u003c\/li\u003e\n  \u003cli\u003eAdd tube girth and detail to any mic\u003c\/li\u003e\n  \u003cli\u003eSculpt signals with Gain, Level, and Impedance controls for maximum tonal variety\u003c\/li\u003e\n  \u003cli\u003eCraft your sounds with classic UA tube circuits, hand-built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":51263802507487,"sku":"UAD-0005","price":150735.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Universal-Audio-ANALOG-HARDWARE-Mic-Preamp-Series-Solo-610-Classic-Tube-Single-Channel-Mic-Pre-PIG-01.webp?v=1787649979"},{"product_id":"universal-audio-4-710d-four-channel-mic-pre","title":"Universal Audio 4-710d Four-Channel Mic Pre Tube\/Solid-State Mic Preamp","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eGet Classic Tube and Solid-State Tones with 1176-style Compression and Professional A\/D Conversion\u003c\/h4\u003e\n\u003cp\u003eBy merging the best of UA’s classic analog design with smart modern features and workflow enhancements, the 4-710d is the most flexible microphone preamp in the UA lineup. Featuring four high-end mic\/line preamps with a unique tube\/solid-state tone blending circuit, as well as classic 1176-style compression on each mic channel, the 4-710d also offers tons of digital I\/O to expand your setup.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eBring your Mic Collection to Life with a Wide Range of UA Preamp Tones\u003c\/h4\u003e\n\u003cp\u003eAt the core of the 4-710d are four channels of tone-blending “Twin-Finity” mic preamps. Each channel offers 100% tube and 100% solid-state signal path, as well as the ability to continuously blend between the two circuits. This gives you tons of textures — from creamy to crunchy — and lets you dial in the perfect amount of tube grit or solid-state sheen.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eFine-tune with Legendary Compression\u003c\/h4\u003e\n\u003cp\u003eEach of the 4-710d’s four channels features true-bypass 1176-style compression, including specially tuned \"fast\" and \"slow\" settings. This enables quick, on-the-fly tweaking for fattening up a vocal, hold a bass guitar in place, or for adding sizzle and texture to synths and horns.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eAdd Inputs and Professional A\/D Conversion\u003c\/h4\u003e\n\u003cp\u003eWith eight analog inputs, the 4-710d is perfect for expanding your studio. Digitized via ultra high-quality 24-bit A\/D converters at selectable sample rates up to 192 kHz, the 4-710d easily connects to most interfaces with its dual ADAT optical or AES\/EBU DB-25 connectors.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eTrack through meticulously designed UA tube preamp circuitry\u003c\/li\u003e\n  \u003cli\u003eBlend tube and solid-state textures for tons of flexibility\u003c\/li\u003e\n  \u003cli\u003eHarness classic 1176-style compression on each mic channel\u003c\/li\u003e\n  \u003cli\u003eAdd 8 inputs to any Apollo interface via ADAT optical connection\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":51263802900703,"sku":"UAD-0006","price":230363.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Universal-Audio-ANALOG-HARDWARE-Mic-Preamp-Series-4-710d-Four-Channel-Mic-Pre-PIG-01_82f122d2-bfe0-41c7-9103-0b7e629551a0.png?v=1787650188"},{"product_id":"universal-audio-710-twin-finity-single-channel-mic-pre","title":"Universal Audio 710 Twin-Finity Single-Channel Mic Pre","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eGet Tube and Solid-State Sounds with Everything In-Between\u003c\/h4\u003e\n\u003cp\u003eThe award-winning 710 Twin-Finity™ is a radical UA mic preamp design that gives you the classic retro warmth of tubes with the transient bite of solid-state, all in a 2U, half-rack unit. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps. Tone blending is continually variable between 100% tube and 100% solid-state, offering a practically infinite range of unique preamp tones, plus the ability to easily dial-in your own signature sound.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eHarness the distinct sonic properties of tubes and solid-state in one unique preamp\/DI\u003c\/li\u003e\n  \u003cli\u003eBlend between tube and solid-state sounds for myriad textures and tones\u003c\/li\u003e\n  \u003cli\u003eUnlock the potential of your mic locker with a powerfully versatile preamp\u003c\/li\u003e\n  \u003cli\u003eEasily track guitar, bass, or keyboards with the front panel 1\/4“ Hi-Z instrument input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":51263802999007,"sku":"UAD-0007","price":115123.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Universal-Audio-ANALOG-HARDWARE-Mic-Preamp-Series-710-Twin-Finity-Single-Channel-Mic-Pre-PIG-01.webp?v=1787649721"},{"product_id":"cranborne-signal-processing-camden-500","title":"CranBorne Camden 500 500 Series Preamp and Signal Processor","description":"\u003cp\u003eCamden 500 is the most astoundingly clean, linear, transparent 500 series preamp you’ve ever heard. But it also has “Mojo” analogue saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Very Best Of Both Worlds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCamden 500 is the most astoundingly clean, linear, transparent preamp you’ve ever heard. But it also has “Mojo” - 2 discrete custom analogue saturation circuits that can be applied, exaggerated, and perhaps best of all - bypassed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpeccable Modern Clean Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned from the ground up by our director of engineering, Edward Holmes, Camden 500 was created to be the ultimate recording front-end for the modern studios and withstand the rigours of modern workflow and production techniques. Designed to excel with any input source, Camden 500 features a completely original, custom-designed preamp topology that achieves stunning low-noise and low-distortion performance and frequency\/phase linearity at any gain setting from unity to 68.5dB.\u003c\/p\u003e\n\u003cp\u003eStepped Gain Control Camden 500 features a premium, 12-way switch gain control that applies up to 68.5dB of clean, transparent preamp gain in 5.5dB steps. This makes it easy to recall gain settings and easy to match the gain of two Camden 500's for stereo applications.\u003c\/p\u003e\n\u003cp\u003eStereo Matched With carefully selected modern components, any two Camden preamps are completely stereo matched to within 0.1dB. Every Camden preamp also passes through a rigorous frequency response test at the factory that ensures it performs the same as the last.\u003c\/p\u003e\n\u003cp\u003eProgressive-slope High Pass Filter Camden's high pass filter features a progressive slope where low end is rolled off initially at around 6dB\/octave and then increases to 12dB for the lowest octave - preserving the low end you want, and cutting what you don't.\u003c\/p\u003e\n\u003cp\u003e3-Way Input Type Switch Tailored input impedance and headroom for Mic, Line, and Hi-Z sources means punchy and full-range line recording with +26.5dBu of input headroom as well as alive and natural sounding DI'd instruments with it's unique BJT design and 1.5M Ohm input impedance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage 'Mojo' On Tap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor moments when you want that gooey, vintage vibe on your recordings, we developed Mojo - our own custom analogue saturation circuit that adds the familiar tone of transformers, valves, and vintage equipment onto your Camden's preamps for recording or mixing. Record through Mojo to add that vibe on the way into your DAW, or add the Mojo during the mix phase - Mojo adds tons of analogue saturation to all audio signals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThump\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThump excites low-end content by adding harmonics to the signal in the 20Hz - 100Hz range - resulting in fuller low-end on smaller speakers. As Thump is not EQ-based, the additional harmonic content is shaped by the source and it’s existing low-end frequency content resulting in a natural addition of extra “Thump”.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCream\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCream introduces a vintage smoothness and edge that is similar to how valves and tubes impact the sound of a preamp. Cream drastically increases harmonics and dynamically smooths-out the low mids for increased HF emphasis. Like Thump, Cream is completely dynamic and will vary its effect based on the inputs level and source material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnlike transformer or valve preamps, Mojo is variable and can be dialled in to taste. Transformer and valves are integral parts of certain preamp designs and so cannot be removed from the signal path or altered for different effects. Mojo on the other hand can be dialed-in to taste or crucially, bypassed when you need a clean and pristine recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage Vibe Without Compromise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTransformers and valves sound great, but they have a flavour that can't be removed. The Phase Shift, Noise, and THD added by these designs give them their sound, but that sound sometimes isn't always suited to a particular source. Camden gives you 3 discrete tonal flavours that allow it to excel on any source or instrument.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eFully-discrete, transformerless design featuring our custom ‘Camden’ preamp topology designed by our Director of Engineering - Edward Holmes\u003c\/li\u003e\n  \u003cli\u003eOptimised for and fully-compliant with the 500-series format Camden 500 is not a 19” unit shoe-horned into a 500-series module, it has been designed from the ground-up to perform under the low-voltage power rails and supply current limitations of the 500-series format whilst delivering groundbreaking performance\u003c\/li\u003e\n  \u003cli\u003ePerforms at the near-theoretical limits of noise, distortion, and phase\/frequency linearity at all gain settings EIN: \u0026lt;-129.5dBu, 150 ohm source, unweighted, \u0026lt;-135.5dBu, Inputs common, unweighted THD+N: \u0026lt;0.0004%, 1kHz, 35dB gain, 24dBu out Intermodulation Distortion: \u0026lt;0.0008%, 50Hz and 7kHz, 35dB gain, 20dBu out Phase Shift: \u0026lt;2.25°, 40dB gain, 20Hz to 20kHz, \u0026lt;4°, Max gain, 20Hz to 20kHz Freq. Response: \u0026lt;±1dB, \u0026lt;5 Hz to \u0026gt;200 kHz, all gain settings CMRR: \u0026gt;70dB, typ \u0026gt;85dB, 35dB Gain, 10-20kHz, 100mV Common mode\u003c\/li\u003e\n  \u003cli\u003eOptimised input Impedance and input headroom for Mic, Line, and Hi-z sources Mic Preamp, Instrument Di, and - thanks to Mojo - line-level analogue saturator\u003c\/li\u003e\n  \u003cli\u003eCustom ‘Mojo’ analogue saturation circuit with variable control, true bypass, and 2 discrete styles - Thump and Cream Reamp tracks from your DAW through Mojo to apply analogue saturation to your stems, VST, and stereo mixes Thump excites low-end content by boosting lower odd\/even harmonics from a range of 160Hz to 20Hz and below Cream boosts odd\/even harmonics whilst also reducing the amplitude of the fundamental frequencies and applying typical transformer-style transient taming\u003c\/li\u003e\n  \u003cli\u003eGold Flashing on backplane contacts for increased conductivity and durability\u003c\/li\u003e\n  \u003cli\u003eDesigned \u0026amp; Engineered in the United Kingdom\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":51328871792863,"sku":"CRB-0005","price":37960.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/CranBorne-Signal-Processing-Camden-500-PIG-01.jpg?v=1788502629"},{"product_id":"cranborne-signal-processing-camden-ec1","title":"CranBorne Camden EC1 Preamp and Headphone Amplifier","description":"\u003cp\u003eCamden EC1 combines award winning preamp technology with a reference-grade headphone amplifier to elevate your audio interface’s front-end to a professional level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Ultimate Performer’s Front End\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCamden EC1 is an award-winning Camden preamp with Mojo analogue saturation, and a reference-quality headphone amplifier with a discrete line mixer built-in to a desktop-friendly, half-rack chassis.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 World-Class Preamps In 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to its custom 'Mojo' harmonic saturation control, Camden EC1 offers 3 flavours of preamp tone that can be dialled to taste. With Mojo bypassed, you can experience Camden EC1's award-winning transparency for capturing mic, line, and instruments with elite-level detail and non-existent noise\/distortion.\u003c\/p\u003e\n\u003cp\u003eBut engage the Mojo control and you can effortlessly dial-in vintage vibe to taste:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHUMP Transformer-Style Saturation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCREAM Tube-Style Saturation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect For Musicians, Engineers, Podcasters, Voice Over Artists\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eModern pristine or vintage saturated preamp performance combined with a comprehensive feature set makes Camden EC1 one of the most versatile preamps on the market and perfectly at home in any application you can throw at it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eDevelop your own signature sound using Mojo analogue saturation and take it on the road or from studio to studio with you.\u003c\/li\u003e\n  \u003cli\u003eRecord natural, and forgiving-feeling instrument DI's that perfectly capture the character of your pickups and instrument.\u003c\/li\u003e\n  \u003cli\u003eSplit the Hi-z signal using the Link Output to record both the DI and a processed amp'd signal - perfect for reamping workflows.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEngineers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eCritique your mix or master using a true, reference-grade headphone amp with clean power, and enough volume to make your headphones shine.\u003c\/li\u003e\n  \u003cli\u003eOffer TRUE zero latency mixes to your clients that can be controlled using 2 simple controls directly on the front panel for Preamp, Aux in\/DAW level.\u003c\/li\u003e\n  \u003cli\u003eComprehensive connectivity including balanced XLR and 1\/4\" impedance balanced preamp outputs and a 10dB pad to prevent clipping your converters.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVO Artists\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMonitor your vocal channel directly using headphone connected to the preamp itself.\u003c\/li\u003e\n  \u003cli\u003eUse Mojo to apply different characters to your voice - use Thump for intimacy or use Cream excitement. Record using the Mojo settings for a streamlined workflow.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePodcasters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eApply 68.5dB of gain to low-sensitivity microphones (Shure SM7b. EV RE20) without adding noise or colouration.\u003c\/li\u003e\n  \u003cli\u003eMonitor your own voice in ZERO latency as well as your Program Output using the reference-grade headphone amp built-in to its front panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eImmersive Headphone Amp With Zero Latency Mixing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe reference-grade headphone amplifier built-in to Camden EC1 is as impressive as its Preamp, but the way it has been tightly integrated with the preamp makes it even more special.\u003c\/p\u003e\n\u003cp\u003eZero Latency Tracking Monitor the Camden preamp in true, zero latency using headphones connected directly to its front panel and mix it in with external DAW playback using the stereo 1\/4\" Aux Input jacks on Camden EC1’s rear panel.\u003c\/p\u003e\n\u003cp\u003eMixing And Mastering With the same reference-grade design developed for the 500R8 audio interface, Camden EC1's headphone amps deliver up to 1.2watts of clean power per ear and a flat frequency response from 5Hz to 70kHz - perfect to power any set of headphone s with clean power.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Preamp That Goes With You\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePortability And Power Housed in a half-rack, desktop format, you can take Camden EC1 with you studio to studio, or on stage. Dial in your sonic signature and control your own headphone monitoring consistent and pristine.\u003c\/p\u003e\n\u003cp\u003eTimeless Analogue Devoid of software updates and USB standards, Camden EC1 is with you for the long haul. Even when you upgrade your surrounding studio, Camden EC1 will always provide your tonal benchmark.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eDiscrete mic\/line\/hi-z preamp featuring the award-winning ‘Camden’ topology from the Camden 500 Preamp and Signal Processor for 500 series\u003c\/li\u003e\n  \u003cli\u003eAudio performance at the near-theoretical limits of noise, distortion, and phase\/frequency linearity at all gain settings EIN: \u0026lt;-129.5dBu, 150 Ohm source, unweighted, \u0026lt;-135.5dBu, Inputs common, unweighted THD+N: \u0026lt;0.00025% (1kHz, 35dB gain, +24dBu out) Intermodulation Distortion: \u0026lt;0.0006% (50Hz and 7kHz, 35dB gain, +20dBu out) Phase Shift: \u0026lt;2.75° (20Hz to 20kHz, 40dB gain), \u0026lt;6° (20Hz to 20kHz, Max Gain) Freq. Response: ±0.7dB (\u0026lt;1 Hz to \u0026gt;1000 kHz, 35dB gain), ±1dB (\u0026lt;5 Hz to \u0026gt;200 kHz, Max Gain)\u003c\/li\u003e\n  \u003cli\u003eUnique 48v status LED 48v LED Lights Orange to indicate voltage charging or dissipating to prevent damage to ribbon microphones and to ensure voltage is fully charged before use 48v LED lights RED when voltage is fully charged and ready to use\u003c\/li\u003e\n  \u003cli\u003e‘Mojo’ analogue saturation circuits with variable control, true bypass, and 2 discrete styles - Thump and Cream\u003c\/li\u003e\n  \u003cli\u003eDiscrete headphone mixers with independant CH 1, Ext Input, and Aux Input level controls\u003c\/li\u003e\n  \u003cli\u003eReference-quality, high-powered headphone amplifier\u003c\/li\u003e\n  \u003cli\u003eBalanced XLR output and impedance balanced 1\/4” jack outputs for maximum connectivity into audio interfaces and other downstream equipment\u003c\/li\u003e\n  \u003cli\u003eDedicated Impedance balanced 1\/4\" jack Link output for true instrument DI functionality and splitting instrument inputs to balanced or unbalanced amplifiers and effects\u003c\/li\u003e\n  \u003cli\u003eC.A.S.T. OUT port for connecting into 500R8\/500ADAT\u003c\/li\u003e\n  \u003cli\u003eExternal high-current 24v, 1.25a power supply with latching connector\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":51328872186079,"sku":"CRB-0011","price":57950.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/CranBorne-Signal-Processing-Camden-EC1-PIG-01.jpg?v=1788502650"},{"product_id":"cranborne-signal-processing-camden-ec2","title":"CranBorne Camden EC2 - Dual-Channel Preamp \u0026 Headphone Mixer","description":"\u003cp\u003eTwo Channel Preamp, Signal Processor, and Dual Headphone Mixer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Complete Studio Front End\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCamden EC2 is a two channel 19\", 1u preamp featuring award-winning Camden preamps, Mojo analogue saturation circuits, and dual reference-quality headphone amplifiers with discrete line mixers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Channel Preamp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on the award-winning Camden 500 Preamp and Signal Processor for the 500 series lunchbox format, Camden EC2 combines the sonic capabilities of one of the markets cleanest and most transparent preamps with the flexibility of a standalone, 1u, 19\" chassis that can integrate into any recording setup with or without 500 series connectivity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Headphone Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMore than two preamps in a metal box, Camden EC2 features two reference-quality headphone amplifiers with independant line mixers that allow for direct monitoring of both Camden preamps using headphones connected directly to Camden EC2's front panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAward-Winning ‘Camden’ Preamp Topology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing two discrete instances of Cranborne Audio's ‘Camden’ preamp topology, Camden EC2 achieves unprecedented low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings.\u003c\/p\u003e\n\u003cp\u003eUltra-Clean and Transparent Performance Camden EC2's preamps exhibit performance specifications that rival and exceed the most revered ‘transparent’ preamps on the market.\u003c\/p\u003e\n\u003cp\u003eWith Vintage Mojo On Tap With two discrete Mojo styles, Camden EC2 takes on the persona of vintage transformer-based preamps using its Thump Mojo or gooey tube-based preamps using its Cream Mojo. Unlike transformer or valve-based preamps, Mojo's saturation is completely variable allowing you to dial-in the amount of saturation you need for each source.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced Tracking And Reamping Tool\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeadphone Amps Built-In Monitor the preamp signals directly using headphones during mic placement to find the sweet spot of the instrument\/source or create zero-latency artist mixes by combining the preamps with external playback from the Aux Input jacks on Camden EC2's rear panel.\u003c\/p\u003e\n\u003cp\u003eLink Output For Reamping Connect your instrument to one preamp using the hi-z input, connect the ¼\" Link output of that preamp to your instrument amplifier\/effects pedal, and capture that signal using the second preamp. Record both preamps simultaneously and reamp the dry DI at a later date.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC.A.S.T. Enabled\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUsing C.A.S.T., 500R8\/500ADAT users can relocate Camden EC2's preamps and headphone amps into the live room using a single Cat 5e, Cat 6, or Cat 7 cable whilst freeing-up 500 series slots in 500R8\/500ADAT for more EQ and Compressor modules and extra processing before hitting 500R8\/500ADAT's converters.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eTwo discrete mic\/line\/hi-z preamps featuring the award-winning ‘Camden’ topology from the Camden 500 Preamp and Signal Processor for 500 series\u003c\/li\u003e\n  \u003cli\u003eAudio performance at the near-theoretical limits of noise, distortion, and phase\/frequency linearity at all gain settings\u003c\/li\u003e\n  \u003cli\u003eUnique 48v status LED to indicate voltage charging\/dissipating and ready-to-use state\u003c\/li\u003e\n  \u003cli\u003eTwo instances of ‘Mojo’ analogue saturation circuits with variable control, true bypass, and 2 discrete styles - Thump and Cream\u003c\/li\u003e\n  \u003cli\u003eTwo discrete headphone mixers with independant CH 1, CH 2, and Aux Input level controls\u003c\/li\u003e\n  \u003cli\u003eTwo reference-quality, high-powered headphone amplifiers\u003c\/li\u003e\n  \u003cli\u003eBalanced XLR outputs and impedance balanced ¼” jack outputs for maximum connectivity into audio interfaces and other downstream equipment\u003c\/li\u003e\n  \u003cli\u003eDedicated Impedance balanced 1\/4” Jack Link outputs for true instrument DI functionality and reamping workflows\u003c\/li\u003e\n  \u003cli\u003eC.A.S.T. OUT port for connecting Camden EC2 into 500R8\/500ADAT\u003c\/li\u003e\n  \u003cli\u003eC.A.S.T. IN port for connecting N22\/N22H Cat 5 snakes to relocate Camden EC2 I\/O elsewhere in the studio\u003c\/li\u003e\n  \u003cli\u003eExternal high-current 24v, 1.25a power supply with latching connector\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":51328872251615,"sku":"CRB-0012","price":115900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/CranBorne-Signal-Processing-Camden-EC2-PIG-01.jpg?v=1788502650"},{"product_id":"icon-pro-audio-signal-processing-hyper-drive","title":"iCON Pro Audio Hyper Drive Class A Inline Preamplifier","description":"\u003cp\u003eClass A inline preamplifier that adds up to 46 dB of clean gain to dynamic and ribbon microphones.\u003c\/p\u003e\n\u003cp\u003eThe iCON Pro Audio HyperDrive inline preamplifier is the perfect way to increase the gain of your dynamic or ribbon microphones without the coloration of a pre-amp. The gain is switchable between 23dB or 46dB.\u003c\/p\u003e\n\u003cp\u003eTake a standard dynamic microphone, add the HyperDrive and benefit from Class A discrete gain, resulting in a sound on a par to a world class condenser microphone perfect for vocals and instruments. Recording acoustic or classical guitar, for example, becomes a breeze – no more cranking up the volume on your pre-amp and without the need for capacitors or resistors in the gain staging pathway. You will hear the sound of the microphone, not your pre-amp! The HD1HyperDrive will improve the quality and noise floor of your recordings and reduce the likelihood of buzz, interference and feedback in live performances.\u003c\/p\u003e\n\u003cp\u003eNote: the HD1 requires phantom power for operation and does not work with microphones that require phantom power, i.e. condenser microphones or some active ribbon microphones.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eSleek black metal design\u003c\/li\u003e\n  \u003cli\u003eRobust construction – perfect for live use\u003c\/li\u003e\n  \u003cli\u003eSwitchable power amplification – Gain:1X 23dB or 2X 46dB\u003c\/li\u003e\n  \u003cli\u003eExtremely low noise floor\u003c\/li\u003e\n  \u003cli\u003eTwo ways to connect: attachable via microphone or pre-amp\u003c\/li\u003e\n  \u003cli\u003ePerfect for live, studio or broadcast uses\u003c\/li\u003e\n  \u003cli\u003eLong cable runs more possible in live situations – less likelihood of interference, buzz and hum\u003c\/li\u003e\n  \u003cli\u003eLess likelihood of feedback in live settings\u003c\/li\u003e\n  \u003cli\u003ePrevents signal degradation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"iCON Pro Audio","offers":[{"title":"Default Title","offer_id":51335841579231,"sku":"ICN-0020","price":5282.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Icon-Pro-Audio-Signal-Processing-Hyper-Drive-PIG-01.jpg?v=1790155199"},{"product_id":"spl-studio-series-one-series-pre-one","title":"SPL Pre One Dual-Channel Microphone Preamplifier","description":"\u003cp\u003eThe Dual-Channel Microphone Preamplifier with discrete technology for outstanding sound.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog inputs \u0026amp; outputs; XLR \u0026amp; Jack (balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum Input level (Mic, Gain +8 dB): +13.5 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum Input level (Instrument, Gain -6 dB): +23.5 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Mic): 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Inst): 1.1 MΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range (30 dB Gain): 10 Hz–200 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD+N (Mic, 30 dB Gain): 0.0028 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N (Mic, 50 dB Gain): 0.014 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N (Mic, 62 dB Gain): 0.017 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N (Instrument, 0 dB Gain): 0.0039 %\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise (EIN): 126 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 117 dB\u003c\/li\u003e\n  \u003cli\u003eNoise (Mic, A-weighted, 150 Ω load, 30 dB Gain): -95 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (Mic, A-weighted, 150 Ω load, 50 dB Gain): -77 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (Mic, A-weighted, 150 Ω load, 62 dB Gain): -68 dBu\u003c\/li\u003e\n  \u003cli\u003e(CMMR) Common mode rejection Mic Input: \u0026gt;75 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for analog audio: +\/- 17 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: +12 V\u003c\/li\u003e\n  \u003cli\u003ePhantom power: +48 V\u003c\/li\u003e\n  \u003cli\u003ePower consumption: 7,0 VA VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eAC\/DC switching adapter: Mean Well GE18\/12-SC\u003c\/li\u003e\n  \u003cli\u003eInput: 100 - 240 V AC; 50 - 60 Hz; 0.7 A\u003c\/li\u003e\n  \u003cli\u003eOutput: 12 V DC; 1.5 A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height incl. feet x depth): 210 x 49.6 x 220 mm \/ 8.23 x 1.95 x 8.66 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 1.45 kg \/ 3.2 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 2 kg \/ 4.4 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399554269407,"sku":"SPL-0005","price":103905.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Series-One-Series-Pre-One-PIG-01.png?v=1789489643"},{"product_id":"spl-studio-microphone-preamplifiers-series-crescendo-duo","title":"SPL Crescendo duo Dual-Channel Microphone Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eDual-Channel Microphone Preamplifier with 120V technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCrescendo duo combines the precise sound that German Rundfunk-Technik is famous for with the innovative SPL 120V technology. The internal operating voltage of 120 volts allows Crescendo microphone preamplifiers to break completely new ground. This results in microphone preamps that sound detail-rich, vivid and equally honest.\u003c\/p\u003e\n\u003cp\u003eCrescendo duo lets microphones shine in a whole new light – because they have never been amplified like this before.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog input \u0026amp; output; XLR (balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum output level: 32.5 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance: 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range (50 dB Gain, -3dB): 20 Hz – 100 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (10 Hz – 22 kHz, 30 dB Gain): 0.0036 %\u003c\/li\u003e\n  \u003cli\u003eTHD + N (10 Hz – 22 kHz, 70 dB Gain): 0.32 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 150 Ω, 30 dB Gain): - 89.2 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 150 Ω, 70 dB Gain): - 51.7 dBu\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise (EIN, 70 dB Gain, 150 Ω): -121.7 dBu\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection  (1 kHz, 30 dB Gain): 79 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Shielded Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for audio electronics: +\/- 60 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: + 12 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable, see fuse chamber): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 0.5 A\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 1 A\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 17.7 VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 88 x 300 mm \/ 19 x 3.46 x 11.8 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 6.1 kg \/ 13.45 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 7.5 kg \/ 16.54 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399557382367,"sku":"SPL-0026","price":207945.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Microphone-Preamplifiers-Series-Crescendo-duo-PIG-01.png?v=1789489430"},{"product_id":"spl-studio-microphone-preamplifiers-series-crescendo-duo-v2","title":"SPL Crescendo duo V2 Dual-Channel Microphone Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eDual-Channel Microphone Preamplifier with 120V technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCrescendo duo combines the precise sound that German Rundfunk-Technik is famous for with the innovative SPL 120V technology. The internal operating voltage of 120 volts allows Crescendo microphone preamplifiers to break completely new ground. This results in microphone preamps that sound detail-rich, vivid and equally honest.\u003c\/p\u003e\n\u003cp\u003eCrescendo duo lets microphones shine in a whole new light – because they have never been amplified like this before.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog input \u0026amp; output; XLR (balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum output level: 32.5 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance: 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range (50 dB Gain, -3dB): 20 Hz – 100 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (10 Hz – 22 kHz, 30 dB Gain): 0.0036 %\u003c\/li\u003e\n  \u003cli\u003eTHD + N (10 Hz – 22 kHz, 70 dB Gain): 0.32 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 150 Ω, 30 dB Gain): - 89.2 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 150 Ω, 70 dB Gain): - 51.7 dBu\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise (EIN, 70 dB Gain, 150 Ω): -121.7 dBu\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection  (1 kHz, 30 dB Gain): 79 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Shielded Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for audio electronics: +\/- 60 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: + 12 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable, see fuse chamber): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 0.5 A\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 1 A\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 17.7 VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 88 x 300 mm \/ 19 x 3.46 x 11.8 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 6.1 kg \/ 13.45 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 7.5 kg \/ 16.54 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399557546207,"sku":"SPL-0027","price":333560.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Microphone-Preamplifiers-Series-Crescendo-duo-V2-PIG-01.png?v=1789489430"},{"product_id":"spl-studio-microphone-preamplifiers-series-crescendo-8","title":"SPL Crescendo 8 Eight-Channel Microphone Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eEight-Channel Microphone Preamplifier with 120V technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCrescendo 8 combines the precise sound that German Rundfunk-Technik is famous for with the innovative SPL 120V technology. The internal operating voltage of 120 volts allows Crescendo microphone preamplifiers to break completely new ground. This results in microphone preamps that sound detail-rich, vivid and equally honest.\u003c\/p\u003e\n\u003cp\u003eCrescendo 8 lets microphones shine in a whole new light – because they have never been amplified like this before.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog input \u0026amp; output; XLR (balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum output level: 32,5 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance: 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range (30 dB Gain): 20 Hz – 100 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (30 dB Gain): 0,0089 %\u003c\/li\u003e\n  \u003cli\u003eTHD + N (70 dB Gain): 0,30 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 150 Ω, 30 dB Gain): -90,8 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 150 Ω, 70 dB Gain): -57,8 dBu\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise, EIN (150 Ω): -127.8 dBu\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection ratio (CMRR, 30 dB Gain): \u0026gt;84 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Shielded Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for audio electronics: +\/- 60 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: + 12 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable, see fuse chamber): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 1,6 A\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 3,15 A\u003c\/li\u003e\n  \u003cli\u003ePower consumption: 230 V: 60 W, 115 V: max. 60 W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 132 x 300 mm \/ 19 x 5.2 x 11.8 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 9.5 kg \/ 20.94 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 12.25 kg \/ 27.01 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399557873887,"sku":"SPL-0028","price":707005.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Microphone-Preamplifiers-Series-Crescendo-8-PIG-01.png?v=1789489403"},{"product_id":"spl-studio-microphone-preamplifiers-series-p8","title":"SPL P8 8-Channel Microphone Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eEight-channel microphone preamplifer with discrete technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eP8 is equipped with eight identically designed microphone preamplifers. All eight preamps have a discrete design – without ICs, made of individual transistors. This is typical for absolute high-end preamplifers and is one of the main reasons for the outstanding sound.\u003c\/p\u003e\n\u003cp\u003eBesides an analog gain control for adjusting the preamplifcation, each of the eight preamps features an individually switchable phantom power supply (48 V), a PAD switch, a phase inversion function and a switchable analog high-pass flter.\u003c\/p\u003e\n\u003cp\u003eWith the optional eight-channel ADAT converter, the purely analog P8 can be digitally connected to audio interfaces.\u003c\/p\u003e\n\u003cp\u003eP8 paves the way for high-quality multi-channel recording sessions.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog input \u0026amp; output; XLR \u0026amp; DB25 (balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input level (Mic, +8 dB – +62 dB): 13,5 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Mic\/Line): 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range: 15 Hz – 200 kHz\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise (EIN): -124 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 30 dB Gain): -94 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 62 dB Gain): -66 dBu\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection ratio (CMRR, 1 kHz) Mic Input: \u0026lt; 78 dB\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 30 dB Gain: 0,003 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 63 dB Gain: 0,022 %\u003c\/li\u003e\n  \u003cli\u003eSignal display: Green   -25 dBu \/ Yellow      0 dBu\u003c\/li\u003e\n  \u003cli\u003e(without AD converter): Red   +19 dBu\u003c\/li\u003e\n  \u003cli\u003e-3 dBFs (with AD converter): +12 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Shielded Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for audio electronics: +\/-18 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: +12 V\u003c\/li\u003e\n  \u003cli\u003ePhantom power: +48 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage AD converter card: +12 V \/ +3,3 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable, see fuse chamber): 230 V AC \/ 50 Hz; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 315 mA\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 630 mA\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 27 VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 44 x 237 mm \/ 19 x 1.73 x 9.33 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 4,15 kg \/ 9,15 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 5,4 kg \/ 11,9 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399558562015,"sku":"SPL-0029","price":253280.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Microphone-Preamplifiers-Series-P8-PIG-01.png?v=1789489464"},{"product_id":"spl-studio-microphone-preamplifiers-series-p8-adc","title":"SPL P8 + ADC 8-Channel Discrete Microphone Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eEight-channel microphone preamplifer with discrete technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eP8 is equipped with eight identically designed microphone preamplifers. All eight preamps have a discrete design – without ICs, made of individual transistors. This is typical for absolute high-end preamplifers and is one of the main reasons for the outstanding sound.\u003c\/p\u003e\n\u003cp\u003eBesides an analog gain control for adjusting the preamplifcation, each of the eight preamps features an individually switchable phantom power supply (48 V), a PAD switch, a phase inversion function and a switchable analog high-pass flter.\u003c\/p\u003e\n\u003cp\u003eWith the optional eight-channel ADAT converter, the purely analog P8 can be digitally connected to audio interfaces.\u003c\/p\u003e\n\u003cp\u003eP8 paves the way for high-quality multi-channel recording sessions.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog input \u0026amp; output; XLR \u0026amp; DB25 (balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input level (Mic, +8 dB – +62 dB): 13,5 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Mic\/Line): 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range: 15 Hz – 200 kHz\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise (EIN): -124 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 30 dB Gain): -94 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 62 dB Gain): -66 dBu\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection ratio (CMRR, 1 kHz) Mic Input: \u0026lt; 78 dB\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 30 dB Gain: 0,003 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 63 dB Gain: 0,022 %\u003c\/li\u003e\n  \u003cli\u003eSignal display: Green   -25 dBu \/ Yellow      0 dBu\u003c\/li\u003e\n  \u003cli\u003e(without AD converter): Red   +19 dBu\u003c\/li\u003e\n  \u003cli\u003e-3 dBFs (with AD converter): +12 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Shielded Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for audio electronics: +\/-18 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: +12 V\u003c\/li\u003e\n  \u003cli\u003ePhantom power: +48 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage AD converter card: +12 V \/ +3,3 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable, see fuse chamber): 230 V AC \/ 50 Hz; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 315 mA\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 630 mA\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 27 VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 44 x 237 mm \/ 19 x 1.73 x 9.33 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 4,15 kg \/ 9,15 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 5,4 kg \/ 11,9 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399558693087,"sku":"SPL-0030","price":319840.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Microphone-Preamplifiers-Series-P8-ADC-PIG-01.png?v=1789489430"},{"product_id":"spl-studio-classics-series-gainstation-1","title":"SPL GainStation 1 Preamp \u0026 Processor","description":"\u003cp\u003eThis cutting-edge technology ensures that signals recorded with the GainStation 1 have more presence and substance and will easily cut through a mix even at lower levels. Extremely low-frequency signals are tight and transparent with clear intonation. Percussive transients are interpreted more precisely, which leads to a clearer rhythmic content and in turn a more solid rhythmic performance and perception. A bassist using the GainStation 1 as a preamp will immediately notice that he hears and feels what he is playing much better, which leads to improved playing and a better recording. The track will have more punch and dynamics, greatly improved presence and almost palpable detail. In short, the instrument sounds incredibly authentic and alive. Beta-tests with the GainStation 1 showed that all instrumentalists enjoyed playing more and in many cases were truly amazed at what their trusty instrument was capable of. Given this improvement in the input signal, one is much less inclined to equalize and compress—in many cases you will probably find that you can do without additional processing, which not only saves an enormous amount of time and processor power, but also has an extremely positive effect on the final result. The GainStation 1 itself offers effective sound-shaping capabilities at recording, most notably via the tube stage, which can be completely bypassed or continuously added to the preamp circuit, allowing everything from extremely subtle „warmth“ to a very noticeable tube saturation effect. The integrated limiter can be used to protect an internal or external AD converter from clipping, or for example to add punch to drum tracks, which in turn reduces or in many cases even eliminates the need for subsequent compression. Put simply, the more tracks are recorded with the GainStation 1, the more solid and transparent—and easier to mix—the entire recording will be.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399558856927,"sku":"SPL-0031","price":138570.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Classics-Series-GainStation-1-PIG-01.jpg?v=1789489345"},{"product_id":"spl-studio-classics-series-gainstation-1-premium","title":"SPL GainStation 1 Premium Tube Preamp","description":"\u003cp\u003eThis cutting-edge technology ensures that signals recorded with the GainStation 1 have more presence and substance and will easily cut through a mix even at lower levels. Extremely low-frequency signals are tight and transparent with clear intonation. Percussive transients are interpreted more precisely, which leads to a clearer rhythmic content and in turn a more solid rhythmic performance and perception. A bassist using the GainStation 1 as a preamp will immediately notice that he hears and feels what he is playing much better, which leads to improved playing and a better recording. The track will have more punch and dynamics, greatly improved presence and almost palpable detail. In short, the instrument sounds incredibly authentic and alive. Beta-tests with the GainStation 1 showed that all instrumentalists enjoyed playing more and in many cases were truly amazed at what their trusty instrument was capable of. Given this improvement in the input signal, one is much less inclined to equalize and compress—in many cases you will probably find that you can do without additional processing, which not only saves an enormous amount of time and processor power, but also has an extremely positive effect on the final result. The GainStation 1 itself offers effective sound-shaping capabilities at recording, most notably via the tube stage, which can be completely bypassed or continuously added to the preamp circuit, allowing everything from extremely subtle „warmth“ to a very noticeable tube saturation effect. The integrated limiter can be used to protect an internal or external AD converter from clipping, or for example to add punch to drum tracks, which in turn reduces or in many cases even eliminates the need for subsequent compression. Put simply, the more tracks are recorded with the GainStation 1, the more solid and transparent—and easier to mix—the entire recording will be.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399558987999,"sku":"SPL-0032","price":158200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Classics-Series-GainStation-1-Premium-PIG-01.jpg?v=1789489345"},{"product_id":"spl-studio-classics-series-goldmike-mk2","title":"SPL GoldMike Mk2 Dual Channel Microphone \u0026 Instrument Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eDual Channel Microphone and Instrument Preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe GoldMike Mk2 combines the advantages of Class A transistor amplification with tube amp technology.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLine\/Insert inputs \u0026amp; outputs; XLR (balanced) \u0026amp; Jack (unbalanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gain: 23 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance: 10 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum output gain (balanced): 26,8 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum output gain (unbalanced): 21.5 dBu\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 50 Ω\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection (1 kHz, 0 dBu): 70 dB\u003c\/li\u003e\n  \u003cli\u003eFrequency range (-3 dB): 10 Hz – 90 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (0 dBu, Line Gain unity, Tube Gain +6 dB, 10 Hz – 22 kHz): 0,04 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 600 Ω): -88,5 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 110 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone Preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gain (Mic): 7 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Mic, PAD): 28 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Mic): 2.8 kΩ\u003c\/li\u003e\n  \u003cli\u003eCMMR: 75 dB\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +6 dB, -3 dB): 10 Hz – 93 kHz\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +12 dB, -3 dB): 10 Hz – 61 kHz\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +18 dB, -3 dB): 10 Hz – 34 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (1 kHz, 30dBu Gain): 0.016 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 150 Ω, 30 dB Gain): -91.2 dBu\u003c\/li\u003e\n  \u003cli\u003eE.I.N.: -128 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 110 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInstrument Preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gain (Instrument): 7 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Instrument, PAD): 14 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Instrument): 1 MΩ\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +6 dB, 600 Ω, -3 dB): 10 Hz – 68 kHz\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +12 dB, 600 Ω, -3 dB): 10 Hz – 51 kHz\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +18 dB, 600 Ω, -3 dB): 10 Hz – 35 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (Tube Gain +6 dB, 10 Hz – 22 kHz): 0,05 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted): -95.5 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 105 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for analog audio: +\/- 18 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: +12 V\u003c\/li\u003e\n  \u003cli\u003eTube anode voltage: +250 V\u003c\/li\u003e\n  \u003cli\u003eTube heating voltage: +12,6 V\u003c\/li\u003e\n  \u003cli\u003ePhantom power: +48 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 25 W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 88 x 210 mm \/ 19 x 3.46 x 8.23 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 4.1 kg \/ 9.04 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 6.5 kg \/ 14.33 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399559119071,"sku":"SPL-0033","price":196310.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Classics-Series-GoldMike-Mk2-PIG-01.png?v=1789489373"},{"product_id":"spl-studio-classics-series-goldmike-mk2-premium","title":"SPL GoldMike Mk2 Premium Dual Channel Microphone \u0026 Instrument Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eDual Channel Microphone and Instrument Preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe GoldMike Mk2 combines the advantages of Class A transistor amplification with tube amp technology.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLine\/Insert inputs \u0026amp; outputs; XLR (balanced) \u0026amp; Jack (unbalanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gain: 23 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance: 10 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum output gain (balanced): 26,8 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum output gain (unbalanced): 21.5 dBu\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 50 Ω\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection (1 kHz, 0 dBu): 70 dB\u003c\/li\u003e\n  \u003cli\u003eFrequency range (-3 dB): 10 Hz – 90 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (0 dBu, Line Gain unity, Tube Gain +6 dB, 10 Hz – 22 kHz): 0,04 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 600 Ω): -88,5 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 110 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone Preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gain (Mic): 7 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Mic, PAD): 28 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Mic): 2.8 kΩ\u003c\/li\u003e\n  \u003cli\u003eCMMR: 75 dB\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +6 dB, -3 dB): 10 Hz – 93 kHz\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +12 dB, -3 dB): 10 Hz – 61 kHz\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +18 dB, -3 dB): 10 Hz – 34 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (1 kHz, 30dBu Gain): 0.016 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, 150 Ω, 30 dB Gain): -91.2 dBu\u003c\/li\u003e\n  \u003cli\u003eE.I.N.: -128 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 110 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInstrument Preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gain (Instrument): 7 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Instrument, PAD): 14 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Instrument): 1 MΩ\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +6 dB, 600 Ω, -3 dB): 10 Hz – 68 kHz\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +12 dB, 600 Ω, -3 dB): 10 Hz – 51 kHz\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Tube Gain +18 dB, 600 Ω, -3 dB): 10 Hz – 35 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (Tube Gain +6 dB, 10 Hz – 22 kHz): 0,05 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted): -95.5 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 105 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for analog audio: +\/- 18 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: +12 V\u003c\/li\u003e\n  \u003cli\u003eTube anode voltage: +250 V\u003c\/li\u003e\n  \u003cli\u003eTube heating voltage: +12,6 V\u003c\/li\u003e\n  \u003cli\u003ePhantom power: +48 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 25 W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 88 x 210 mm \/ 19 x 3.46 x 8.23 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 4.1 kg \/ 9.04 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 6.5 kg \/ 14.33 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399559250143,"sku":"SPL-0034","price":265590.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Classics-Series-GoldMike-Mk2-Premium-PIG-01.png?v=1789489373"},{"product_id":"spl-professional-fidelity-preamplifiers-and-dacs-series-director-mk2","title":"SPL Director Mk2 Preamplifier \u0026 DAC","description":"\u003cp\u003e\u003cstrong\u003eThe Director sets the tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe preamplifier is the center of the audio system. With remote source selection and volume control, retro-look VU meter, premium DA converter (32 bit \/ 768 kHz \u0026amp; DSD4) and the all-superior VOLTAiR technology, the Director Mk2 delivers musical blockbusters. Fans of analog tape machines or external sound processing can loop their treasures into a tape monitor path. In addition to the four digital inputs, there are six stereo analog inputs, two of which are balanced with XLR jacks. In the latest revision of the Director Mk2, the Direct Out can also be configured as a second output in parallel with the Preamp Out. Thanks to the SLP120, the digital signal is transferred to the analog world in the highest quality. The Director MK2 is the perfect preamplifier when superior sound quality is desired in combination with digital and analog sources.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eVOLTAiR technology\u003c\/li\u003e\n  \u003cli\u003eFour digital stereo inputs [USB, AES\/EBU, S\/PDIF (coaxial, optical)]\u003c\/li\u003e\n  \u003cli\u003eSix analog stereo inputs (4 x RCA and 2 x balanced XLR)\u003c\/li\u003e\n  \u003cli\u003eIndividually for both outputs: volume control or Direct Out\u003c\/li\u003e\n  \u003cli\u003e“Tape Monitor” path (switchable)\u003c\/li\u003e\n  \u003cli\u003eHome Theater Bypass\u003c\/li\u003e\n  \u003cli\u003eDAC768v2 and SLP120\u003c\/li\u003e\n  \u003cli\u003ePCM with 32 bit and up to 768 kHz\u003c\/li\u003e\n  \u003cli\u003eDSD up to DSD4 (Quad Rate DSD, DSD256)\u003c\/li\u003e\n  \u003cli\u003eAnalog volume control with motorized ALPS “Big Blue” potentiometer\u003c\/li\u003e\n  \u003cli\u003eSource selection and volume remote controllable (IR)\u003c\/li\u003e\n  \u003cli\u003eAMP CTL – 12 V trigger output\u003c\/li\u003e\n  \u003cli\u003eFrequency response (analog): 10 Hz to 100 kHz\u003c\/li\u003e\n  \u003cli\u003eDistortion factor: 0.0030 % (analog), 0.0016 % (digital)\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 131.5 dB (analog), 120.8 dB (digital)\u003c\/li\u003e\n  \u003cli\u003eWindows®, Mac® and iOS compatible\u003c\/li\u003e\n  \u003cli\u003eThanks to Through-hole technology, the best sounding components can be used\u003c\/li\u003e\n  \u003cli\u003eManufactured in Niederkrüchten on the Lower Rhine, Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399563116767,"sku":"SPL-0064","price":438480.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Professional-Fidelity-Preamplifiers-and-DACs-Series-Director-Mk2-PIG-01.png?v=1789489125"},{"product_id":"spl-professional-fidelity-preamplifiers-and-dacs-series-elector","title":"SPL Elector Analog Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eThe analog purist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Elector is the perfect preamplifier for the lover of pure analog technology. It features a total of six analog inputs. Three of which are balanced with XLR connectors. The Elector is equipped with the big remote controllable aluminum volume control with marker LED and two mechanical VU meters. External audio processors or analog tape machines can be looped in the tape monitor path. Thanks to the all superior VOLTAiR technology the Elector brings analog sources to new life.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eVOLTAiR technology\u003c\/li\u003e\n  \u003cli\u003eSix analog stereo inputs (3 x balanced XLR and 3 x RCA)\u003c\/li\u003e\n  \u003cli\u003eBalanced and standard outputs\u003c\/li\u003e\n  \u003cli\u003eDirect Out\u003c\/li\u003e\n  \u003cli\u003e“Tape Monitor” path (switchable)\u003c\/li\u003e\n  \u003cli\u003eAnalog volume control with motorized ALPS \"Big Blue\" potentiometer\u003c\/li\u003e\n  \u003cli\u003eRemote volume control (IR)\u003c\/li\u003e\n  \u003cli\u003eAMP CTL – 12 V trigger output\u003c\/li\u003e\n  \u003cli\u003eFrequency response: 10 Hz to 100 kHz\u003c\/li\u003e\n  \u003cli\u003eDistortion factor: 0.00179 %\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 131.5 dB\u003c\/li\u003e\n  \u003cli\u003eThanks to Through-hole technology, the best sounding components can be used\u003c\/li\u003e\n  \u003cli\u003eManufactured in Niederkrüchten on the Lower Rhine, Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399563247839,"sku":"SPL-0065","price":311460.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Professional-Fidelity-Preamplifiers-and-DACs-Series-Elector-PIG-01.png?v=1789489182"},{"product_id":"spl-professional-fidelity-preamplifiers-and-dacs-series-phonos","title":"SPL Phonos RIAA Phono Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eThe RIAA Phono Preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhonos is a phono preamplifier designed for record players using either moving magnet (MM) or moving coil (MC) cartridges. The equalization curve is according to RIAA and suitable for all vinyl records since 1954. The RIAA equalizer is as designed by Douglas Self. With up to 71.5 dB of gain for MC cartridges and 50 dB of gain for MM cartridges Phonos belongs to the most powerful phono preamplifiers.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eVOLTAiR technology\u003c\/li\u003e\n  \u003cli\u003eRIAA equalization (after Douglas Self)\u003c\/li\u003e\n  \u003cli\u003eSuitable for MM (Moving Magnet) and MC (Moving Coil) cartridges\u003c\/li\u003e\n  \u003cli\u003eMax. preamplification gain: 50 dB (MM); 71.5 dB (MC)\u003c\/li\u003e\n  \u003cli\u003eCapacitances for MM: Off, 150 pF, 220 pF and 330 pF\u003c\/li\u003e\n  \u003cli\u003eImpedances for MC: 100, 220, 470, 2k2, 4k7 and 10k ohms\u003c\/li\u003e\n  \u003cli\u003eStyroflex condensers used throughout the RIAA equalizer\u003c\/li\u003e\n  \u003cli\u003eSwitchable Gain: Normal, -10 dB, +4 dB\u003c\/li\u003e\n  \u003cli\u003eSwitchable rumble filter (Subsonic)\u003c\/li\u003e\n  \u003cli\u003eGold-plated RCA inputs and outputs\u003c\/li\u003e\n  \u003cli\u003eAudio ground connection for record player\u003c\/li\u003e\n  \u003cli\u003eThanks to Through-hole technology, the best sounding components can be used\u003c\/li\u003e\n  \u003cli\u003eManufactured in Niederkrüchten on the Lower Rhine, Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399564427487,"sku":"SPL-0073","price":230670.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Professional-Fidelity-Preamplifiers-and-DACs-Series-Phonos-PIG-01.png?v=1789489217"},{"product_id":"spl-professional-fidelity-preamplifiers-and-dacs-series-phonos-duo","title":"SPL Phonos DUO RIAA Phono Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eThe RIAA Phono Preamplifier – twice as nice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhonos duo is a phono preamp for turntables with moving magnet (MM) or moving coil (MC) cartridge systems and offers balanced and unbalanced inputs and outputs. Six different capacities for MM systems and impedances for MC systems can be selected for perfect adaptation to cartridge systems. This makes Phonos duo the most versatile SPL RIAA phono preamplifier. Whether moving magnet (MM) or moving coil (MC) cartridge systems – the SPL VOLTAiR technology and the RIAA filter in the legendary Douglas-Self design form the fundament for an outstanding phono sound.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eFeatures\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eVOLTAiR technology\u003c\/li\u003e\n  \u003cli\u003eBalanced and unbalanced inputs and outputs (gold-plated)\u003c\/li\u003e\n  \u003cli\u003eRIAA equalization (after Douglas Self)\u003c\/li\u003e\n  \u003cli\u003eSuitable for MM (Moving Magnet) and MC (Moving Coil) cartridges\u003c\/li\u003e\n  \u003cli\u003eMax. preamplification gain: + 50 dB (MM); + 70 dB (MC)\u003c\/li\u003e\n  \u003cli\u003eCapacities for MM: 12 pF, 47 pF, 100 pF, 150 pF, 220 pF and 330pF\u003c\/li\u003e\n  \u003cli\u003eImpedances for MC: 20 ohms, 50 ohms, 100 ohms , 220 ohms, 500 ohms and 1 kohm\u003c\/li\u003e\n  \u003cli\u003eStyroflex condensers used throughout the RIAA equalizer\u003c\/li\u003e\n  \u003cli\u003eSwitchable gain: three stages in 10 dB steps (Low, Med, High)\u003c\/li\u003e\n  \u003cli\u003eSwitchable rumble filter (RUMBLE)\u003c\/li\u003e\n  \u003cli\u003eAudio ground connection for turntables\u003c\/li\u003e\n  \u003cli\u003eThanks to Through-hole technology, the best sounding components can be used\u003c\/li\u003e\n  \u003cli\u003eManufactured in Niederkrüchten on the Lower Rhine, Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399564722399,"sku":"SPL-0074","price":346010.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Professional-Fidelity-Preamplifiers-and-DACs-Series-Phonos-DUO-PIG-01.png?v=1789489182"}],"url":"https:\/\/proaudiogear.in\/collections\/microphone-preamps\/universal-audio.oembed","provider":"proaudiogear.in","version":"1.0","type":"link"}