{"title":"Compressors \u0026 Limiters","description":null,"products":[{"product_id":"universal-audio-la-2a-classic-leveling-amplifier","title":"Universal Audio LA-2A Classic Leveling Amplifier","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eGet UA’s Famed Optical Tube Compressor, True to the Original Design\u003c\/h4\u003e\n\u003cp\u003eFor over 50 years the Teletronix LA-2A has been revered for its smooth, natural, musical compression. WIth its unique tube-driven electro-optical attenuator system that allows instantaneous gain reduction with no increase in harmonic distortion, the LA-2A massages signals like no other compressor ever made.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eThe Teletronix Story\u003c\/h4\u003e\n\u003cp\u003eTeletronix founder Jim Lawrence first used photocells for controlling audio gain in the early 1960s. His ingenious optical compression design was a technological breakthrough, far surpassing the stability and transparency of earlier circuits. Universal Audio founder M.T. “Bill” Putnam later purchased this patented technology, continuing to manufacture the LA-2A for years to come.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eExplore the Real Deal\u003c\/h4\u003e\n\u003cp\u003eUniversal Audio’s Teletronix LA-2A Classic Leveling Amplifier reissue provides the performance characteristics of the iconic original. With painstaking care, every new LA-2A unit is point-to-point handwired at Universal Audio's Custom Shop in Santa Cruz, California, with every component carefully evaluated for authenticity. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings. Demand the original. Accept no copy.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eDial-in legendary optical tube compression textures for vocals, bass, drums, and more\u003c\/li\u003e\n  \u003cli\u003eRecord your tracks through vintage UA, \"handmade in the USA,\" circuits\u003c\/li\u003e\n  \u003cli\u003eEasily add iconic warmth and tube limiting with simple, easy-to-use controls\u003c\/li\u003e\n  \u003cli\u003eTrack and mix with a piece of audio recording history\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":51263801688287,"sku":"UAD-0001","price":628450.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Universal-Audio-ANALOG-HARDWARE-Compression-Series-LA-2A-Classic-Leveling-Amplifier-PIG-01.webp?v=1787649962"},{"product_id":"universal-audio-1176ln-classic-limiting-amplifier","title":"Universal Audio 1176LN Classic Limiting Amplifier","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eGet Legendary FET Compression with Tone and Attitude, True to the Original\u003c\/h4\u003e\n\u003cp\u003eUpon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.\u003c\/p\u003e\n\u003cp\u003eUniversal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eAdd Toneful, Colorful Compression\u003c\/h4\u003e\n\u003cp\u003eBilled as a “true peak limiter with all transistor circuitry and superior performance on all types of program material,\" the 1176’s major selling point was its ultra-fast attack time — a mere 20 µS (.00002 seconds) at its fastest setting. But engineers soon found out that the 1176 also injected character, attitude, and vibe to anything run through its circuitry. Some even used the 1176 with the compression turned off, just for the distinctive tone it imparts. The unit’s amplifiers and transformers all by themselves give a desirable “hot” quality to anything passing through them.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eCreate with a Legend\u003c\/h4\u003e\n\u003cp\u003eIn 1999, when Bill Putnam, Jr. relaunched Universal Audio, a reproduction of the Blackface 1176LN was the company’s first product. Reissued in 2000, it was based on the circuit designs of the C, D, and E revs of the classic 1176. One of the most critical aspects of recreating the sound of the original hardware, was faithfully reproducing the original output transformer, complete with the additional windings that provided the feedback signal to the final line output amplifier circuit. Bill Putnam Jr. found extensive design notes that enabled him to recreate and improve his father’s original design.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eMake Magic with the Push of a Button\u003c\/h4\u003e\n\u003cp\u003eOne of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. 1176 at 4:1, to its most notable setting, the “All Buttons In” mode, where all the ratio buttons are depressed simultaneously. This allows the 1176 to make a sound unlike any other processor ever heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients, creating an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound, or squeezing a vocal to bring it front and center of your mix.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eAccept No Substitutes\u003c\/h4\u003e\n\u003cp\u003eCarefully trained Universal Audio staff hand build and test each unit at the UA Custom Shop in Santa Cruz, California until it meets our uncompromising standards. This Universal Audio Classic version of the 1176LN captures all the nuance of the original through obsessive attention to detail and delivers that trademark sound. Demand the original.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eTrack and mix with the legendary FET-Style Compressor with custom-made class A output transformers\u003c\/li\u003e\n  \u003cli\u003eRecord your tracks through vintage UA, \"handmade in the USA,\" circuits\u003c\/li\u003e\n  \u003cli\u003eHarness ultra-fast attack time on bass, guitars, vocals and more\u003c\/li\u003e\n  \u003cli\u003eAdd color, character, and vibe to signals without using compression\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":51263801819359,"sku":"UAD-0002","price":377017.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Universal-Audio-ANALOG-HARDWARE-Compression-Series-1176LN-Classic-Limiting-Amplifier-PIG-01.webp?v=1787649962"},{"product_id":"cranborne-signal-processing-brick-lane-mc-4","title":"CranBorne Brick Lane MC 4 - 4-Channel Modal PWM Compressor","description":"\u003cp\u003eCranborne Audio Brick Lane MC4 - 4-channel Modal PWM Dynamics Processor with Mono, Stereo, Mid\/Side, Series, Dual-Band, and De-Esser operation. Each channel features a Brick Lane Modal PWM compressor with six distinct compression modes, alongside an enhanced noise gate with analogue lookahead.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is Brick Lane MC4\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe World’s Most Advanced Analogue Dynamics Processor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrick Lane MC4 is a 2u 19-Inch rack, 4-channel Modal PWM Dynamics Processor with Mono, Stereo, Mid\/Side, Series, Dual-Band, and De-Esser operation. An evolution of our Brick Lane 500 Modal PWM Compressor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA New Reference in Analogue Dynamics Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrick Lane MC4 represents a major leap forward in analogue dynamics design — combining pure analogue PWM compression (compression+gate), multi-band saturation, and analogue l ookahead technology within a digitally controlled, recallable hardware platform. Each channel features a Brick Lane MC4 Modal PWM compressor with six distinct compression modes, alongside an enhanced noise gate with analogue lookahead.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModal PWM Compression Architecture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach channel of Brick Lane MC4 is built around Cranborne Audio’s Modal PWM compression architecture, a digitally controlled analogue dynamics system that enables multiple, fundamentally different compression behaviours within a single signal path. Modal PWM compression operates by modulating the dynamics control law, time constants, and harmonic behaviour of the analogue gain stage rather than simply changing ratios or thresholds. This allows Brick Lane MC4 to deliver a wide range of compression responses while maintaining low distortion, fast response, and precise control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompression Modes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVELVET Vintage Vari-Mu-style musicality with Tube-inspired harmonic compression, offering smooth, organic dynamic control with vintage tonal warmth and character.\u003c\/p\u003e\n\u003cp\u003eTAME Precision transient management with ultra-fast, transparent control and surgical dynamic precision.\u003c\/p\u003e\n\u003cp\u003eFLOAT Transparent Opto-inspired dynamics with moderate transparency and gentle, wavelike compression ballistics.\u003c\/p\u003e\n\u003cp\u003eGLUE Glue together all the elements of your mix with this on your master bus for gentle bus-style compression.\u003c\/p\u003e\n\u003cp\u003eSMASH FET-style transient dominance with aggressive dynamic reduction, and explosive punch and sonic impact.\u003c\/p\u003e\n\u003cp\u003ePOLISH Ultimate mastering-style limiting with the cleanest, fastest analogue limiter with our \"Analogue-Lookahead\" technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModal PWM Compression with more\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether being used for Mono, Stereo, or Mid-Side processing, or using a combination of Series. Dual-Band, and De-esser modes available - Brick Lane MC4 features 4 channels of dynamics processing. Each dynamics channel contains an enhanced Noise Gate with Analogue Lookahead technology and a Brick Lane compressor - a Modal PWM compressor with 6 harmonically-enriched analogue saturation styles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible Dynamics for Modern Analogue Workflows\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrick Lane MC4 delivers exceptional flexibility with Mono, Stereo, and Mid\/Side operation , allowing each of its four dynamics channels to adapt seamlessly to tracking, mix-bus, and mastering applications. Stereo linking preserves image stability, while Mid\/Side processing enables precise control over centre and width without compromising mono compatibility.\u003c\/p\u003e\n\u003cp\u003eSeries Mode allows two dynamics channels to be chained internally, creating sophisticated multi-stage dynamics processing without external patching. By distributing gain reduction across two independent stages, Series mode delivers smoother, more controlled results with enhanced transient shaping and tonal consistency.\u003c\/p\u003e\n\u003cp\u003eDual-Band Mode provides powerful analogue multi-band compression by splitting the signal into low and high frequency bands, each processed independently before recombination. This carefully optimised two-band architecture minimises phase interaction while offering precise low-end control and transparent high-frequency shaping—ideal for drums, bass-heavy material, full mixes, and mastering.\u003c\/p\u003e\n\u003cp\u003eA dedicated De-Esser mode with analogue lookahead delivers smooth, accurate sibilance control without overshoot or tonal compromise. By anticipating problematic high-frequency content before gain reduction occurs, Brick Lane MC4 ensures natural, transparent results across vocals, dialogue, acoustic sources, and programme material.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMid\/Side Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEspecially valuable for mastering, mixing, and sound design applications, Brick Lane MC4 allows for Mid\/Side processing, allowing you to apply dynamics processing to the separate mid (center) and side (stereo width) components of your stereo signal. No additional hardware is needed, Brick Lane MC4 takes care of all the necessary encoding and decoding.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModal Control and Harmonic Behaviour\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Stress Control operates within the Modal PWM architecture to introduce dynamics-focused analogue harmonic saturation. The STRESS behaviour is defined by the selected compression mode.\u003c\/p\u003e\n\u003cp\u003eRather than applying a single, static saturation circuit, Brick Lane MC4 implements six distinct multi-band analogue saturation circuits, each specifically designed to operate in tandem with its corresponding Modal PWM compression behaviour. These saturation circuits are dynamicallylinked to the gain-reduction process, allowing harmonic content to evolve with signal level, envelope, and compression activity. This integrated approach recreates the characteristic non-linearities and programme-dependent behaviour found in classic analogue compressors, where tone, dynamics, and saturation are inherently connected rather than treated as separate processes.\u003c\/p\u003e\n\u003cp\u003eBy tailoring the saturation topology to each compression mode, Brick Lane MC4 delivers mode-appropriate harmonic behaviour - ranging from subtle density and warmth to more assertive dynamic coloration - while maintaining control, consistency, and signal integrity across a wide range of operating conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInserts for Outboard Hardware\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrick Lane MC4 features bypassable TRS insert points on all four dynamics channels, allowing external analogue hardware to be integrated directly into the signal path. Each insert point is user-selectable within the processing chain, enabling precise placement relative to the dynamics engine and associated processing stages.\u003c\/p\u003e\n\u003cp\u003eThis flexibility allows a wide range of advanced workflows, including inserting external equalisation, saturation, or other analogue processors either before or after dynamics processing. In Mid\/Side operation, the insert points may be positioned between M\/S encoding and decoding, enabling external hardware to be applied independently to the Mid or Side components of a signal.\u003c\/p\u003e\n\u003cp\u003eBy providing fully integrated insert routing without the need for external patching or additional routing hardware, Brick Lane MC4 enables complex analogue signal chains while maintaining a clean, repeatable workflow.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExternal Sidechain Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrick Lane MC4 provides four assignable external sidechain inputs alongside a flexible internal sidechain routing system, allowing each dynamics channel to independently select its control signal source.\u003c\/p\u003e\n\u003cp\u003eEach compressor can derive its sidechain from its own input signal, from another compressor’s input or sidechain, or from any of the four external sidechain inputs. This enables a wide range of dynamics control strategies, from conventional keyed compression and ducking to more complex inter-channel dynamics relationships.\u003c\/p\u003e\n\u003cp\u003eThis routing flexibility allows dynamics behaviour to be decoupled from the audio signal path when required, enabling precise control without altering the processed audio. In Stereo, Mid\/Side, Series, or Dual-Band configurations, sidechain sources can be reassigned to suit the specific processing objective.\u003c\/p\u003e\n\u003cp\u003eBy offering both internal and external sidechain selection on a per-channel basis, Brick Lane MC4 supports advanced dynamics workflows while remaining intuitive and repeatable in professional analogue environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENIGMA - Advanced Compression Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eENIGMA provides access to deep compression parameters that are normally fixed in analogue compressor designs, allowing the dynamic response of Brick Lane MC4 to be precisely tailored to the desired result.\u003c\/p\u003e\n\u003cp\u003eThrough ENIGMA, users can directly adjust parameters such as compression knee, attack and release weighting, detector behaviour, high-frequency emphasis, and more. These controls allow the compressor’s response to be shaped beyond basic threshold and ratio settings, making it possible to fine-tune how transients are captured, how gain reduction develops, and how the compressor reacts to different frequency content.\u003c\/p\u003e\n\u003cp\u003eFor example, hardening the compression knee and adjusting attack weighting can produce a more immediate, percussive response, while altering high-frequency emphasis and detector behaviour can introduce the softer, programme-dependent response commonly associated with vintage compressors. These adjustments enable the same compression mode to be adapted for markedly different sources and musical objectives.\u003c\/p\u003e\n\u003cp\u003eENIGMA operates entirely within the analogue Modal PWM compression system, ensuring that changes to behaviour remain predictable, repeatable, and musically relevant. This level of control allows Brick Lane MC4 to be configured with a degree of precision rarely available in analogue dynamics processors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFully Digitally-Controlled with USB and Network options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrick Lane MC4 takes control to a whole new level allowing all controls of the unit to be controlled remotely via USB or an Ethernet network. Our control plugin seamlessly integrates with the Brick Lane MC4 hardware via the USB or NET ports, allowing for convenient real-time control and recall from within your DAW. It also facilitates the independent saving and loading of presets.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eUltimate Dynamics Processing: 4-channels of PWM dynamics processing (Compression + Gate) meticulously developed by the Cranborne Audio team in the UK.\u003c\/li\u003e\n  \u003cli\u003eVersatile Operation: allows for combinations of mono, stereo, mid\/side, dual-band, series, and De-Essing with flexible routing configurations\u003c\/li\u003e\n  \u003cli\u003eIntuitive Interface: Equipped with a 5” full-colour TFT screen and LED rings and digital encoders, the Brick Lane MC4 provides detailed visual feedback on all dynamics processing and parameters and ensures a user-friendly and visually intuitive experience that ensures any remote control operation is reflected on the Brick Lane MC4’s front panel.\u003c\/li\u003e\n  \u003cli\u003eRemote Control \u0026amp; Recall: Utilise USB and Network control and recall via the included plugin to seamlessly retrieve your preferred settings, recall previous settings, and control your Brick Lane MC4 remotely right from your DAW providing a streamlined workflow in various studio environments.\u003c\/li\u003e\n  \u003cli\u003eCustom PWM compression circuit and unique ‘Stress’ control for Harmonically-enriched compression effects.\u003c\/li\u003e\n  \u003cli\u003e“Analogue Lookahead” technology for true zero-attack compression and gating\u003c\/li\u003e\n  \u003cli\u003e6 Compression modes - Velvet, Float, Smash, Tame, Glue, and Polish set compression ratio, knee, compression style, and compression rate of change.\u003c\/li\u003e\n  \u003cli\u003eThreshold control and variable-range Attack and Release controls (altered per mode)\u003c\/li\u003e\n  \u003cli\u003e4 selectable sidechain HPF modes - OFF, 60Hz, 100Hz, 200Hz.\u003c\/li\u003e\n  \u003cli\u003e±20dB Input and Output\/Make-up Gain Level to tailor the compression and saturation character to the source.\u003c\/li\u003e\n  \u003cli\u003eENIGMA compression parameters to further tune compression and saturation behaviour.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":51328871301343,"sku":"CRB-0001","price":340245.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/CranBorne-Signal-Processing-Brick-Lane-MC-4-PIG-01.jpg?v=1788502610"},{"product_id":"cranborne-signal-processing-brick-lane","title":"CranBorne Brick Lane 500 Series Analogue PWM Compressor","description":"\u003cp\u003eCranborne Audio Brick Lane 500 - 500 Series analogue PWM Compressor with 6 operating modes and variable Stress control for harmonically-enriched compression effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrick Lane 500: The Modal Compression Revolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e500 Series analogue PWM Compressor with 6 operating modes and variable Stress control for harmonically-enriched compression effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Technological Breakthrough in Dynamics Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Brick Lane 500 represents a quantum leap in analogue compression — a fully-analogue PWM Compressor that transcends traditional dynamics control methodologies through its revolutionary Modal PWM Compression architecture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRevolutionary Modal PWM Compression Architecture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the heart of the Brick Lane 500 lies its groundbreaking Modal PWM Compression technology—a paradigm-shifting approach that empowers audio professionals with unparalleled compression flexibility. Unlike conventional compressors, this innovative design allows for unlimited shaping of compression envelopes and styles - without compromise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModal Compression: The Sonic Transformation Engine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Brick Lane 500 introduces six distinct compression characters, each meticulously crafted to deliver unique sonic signatures:\u003c\/p\u003e\n\u003cp\u003eVELVET Vintage Vari-Mu-style musicality with Tube-inspired harmonic compression, offering smooth, organic dynamic control with vintage tonal warmth and character.\u003c\/p\u003e\n\u003cp\u003eTAME Precision transient management with ultra-fast, transparent control and surgical dynamic precision.\u003c\/p\u003e\n\u003cp\u003eFLOAT Transparent Opto-inspired dynamics with moderate transparency and gentle, wavelike compression ballistics.\u003c\/p\u003e\n\u003cp\u003eGLUE Glue together all the elements of your mix with this on your master bus for gentle bus-style compression.\u003c\/p\u003e\n\u003cp\u003eSMASH FET-style transient dominance with aggressive dynamic reduction, and explosive punch and sonic impact.\u003c\/p\u003e\n\u003cp\u003ePOLISH Ultimate mastering-style limiting with the cleanest, fastest analogue limiter with our \"Analogue-Lookahead\" technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Compression Chameleon: A Modal Metamorphosis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eImagine a single compressor that isn't just a compressor—but an entire compression arsenal compressed into one revolutionary module. The Brick Lane 500's Modal PWM Compression is like having six legendary hardware compressors at your fingertips, each with its own distinct personality, sonic signature, and dynamic DNA. Each mode isn't merely a setting; it's an entirely different compression philosophy.\u003c\/p\u003e\n\u003cp\u003eEvery mode effectively rewires your patchbay and brings you a totally different style of compression, featuring unique compression ballistics that fundamentally transform the unit's behavior. Attack and release controls morph dramatically across modes—from glacially slow Vari-Mu-style curves to lightning-fast FET-like responsiveness. Compression ratios dance between gentle 2:1 nudges and aggressive 20:1 sonic obliterations. The knee characteristics shift from buttery-smooth rounded edges to razor-sharp precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStress Control: A Sonic Shapeshifter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 'Stress' control becomes a chameleon, radically changing its harmonic character and saturation profile in each mode. What adds subtle tube warmth in VELVET becomes a transient-destroying beast in SMASH, a mix-gluing agent in GLUE, and a loudness\/clipping finalizer in POLISH. It's not just a feature—it's a sonic shapeshifter that redefines compression as a creative sound design and mixing tool.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo-Link via OPTOSYNC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrick Lane 500 features Cranborne Audio’s OPTOSYNC technology, enabling two Brick Lane 500 units to work as a perfect stereo pair for mixes and stereo sources.\u003c\/p\u003e\n\u003cp\u003eUsing OPTOSYNC, all controls are synchronized from the left unit to the right without cables or internal fixings. Switch OPTOSYNC for all slave units to ON and its controls all synchronize to the master unit wirelessly using LED and optical communication. You can also use OPTOSYNC to link together multiple units for applying the same sonic footprint across entire summing mixers or multi-channel surround mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRugged Industrial Design And Automatic Calibration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith rugged and unique structural support, custom 41-way detented pots on every control, as well as Automatic Calibration of all analogue saturation paths, Brick Lane 500 is a timeless processor designed to be a constant audio-enhancer in your studio for years to come.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineering Precision Meets Musical Intuition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Brick Lane 500 is not merely a compressor—it's a sophisticated sonic instrument designed for audio professionals who demand absolute control and exceptional sound quality. Whether tracking, mixing, or mastering, this modal compressor adapts to your most demanding audio sculpting requirements.\u003c\/p\u003e\n\u003cp\u003eRedefine your approach to dynamic processing with the Brick Lane 500—where technological innovation meets musical expression.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003e500 Series Modal PWM Compressor meticulously developed by the Cranborne Audio team in the UK\u003c\/li\u003e\n  \u003cli\u003eCustom PWM compression circuit and unique ‘Stress’ control for Harmonically-enriched compression effects\u003c\/li\u003e\n  \u003cli\u003e6 Compression modes - Velvet, Float, Smash, Tame, Glue, and Polish set compression ratio, knee, compression style, and compression rate of change.\u003c\/li\u003e\n  \u003cli\u003eThreshold control and variable-range Attack and Release controls (altered per mode)\u003c\/li\u003e\n  \u003cli\u003e12-segment LED level meter and 12-segment LED Gain Reduction Meter\u003c\/li\u003e\n  \u003cli\u003e4 selectable sidechain HPF modes - OFF, 60Hz, 100Hz, 200Hz\u003c\/li\u003e\n  \u003cli\u003e±20dB Input and Output\/Make-up Gain Level to tailor the compression and saturation character to the source\u003c\/li\u003e\n  \u003cli\u003eOptoSync wireless communication between modules for linked controls during stereo operation\u003c\/li\u003e\n  \u003cli\u003e⅛” TRS socket for linking non-adjacent modules\u003c\/li\u003e\n  \u003cli\u003eCircuit auto-calibration for perfect stereo matching between all modules\u003c\/li\u003e\n  \u003cli\u003eTrue-bypass IN\/OUT switching with complete or post input trim modes available on DIP switch\u003c\/li\u003e\n  \u003cli\u003eStepped, front-panel controls for quick recall and precise feel\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":51328871923935,"sku":"CRB-0007","price":85910.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/CranBorne-Signal-Processing-Brick-Lane-PIG-01.jpg?v=1788502629"},{"product_id":"tegeler-audio-vari-tube-recording-channel-vtrc","title":"Tegeler Audio Vari Tube Recording Channel VTRC","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eThe Vari Tube Recording Channel VTRC is a German-built tube channel strip that puts a microphone preamp, a passive three-band equalizer, and two independently switchable compressor circuits inside one rack unit. It exists to take a source from XLR to a finished, print-ready sound in a single pass, rather than farming preamp, EQ, and dynamics out to three separate boxes. The signal path runs fully on triode gain stages, so there is no solid-state amplification between input and output.\u003c\/p\u003e\n\u003cp\u003eWhat sets the compression section apart is that it houses two distinct circuits that can work independently or together: an optical stage built around an LED-and-photoresistor detector for a gentler, program-dependent squeeze, and a vari-mu tube stage that drives the triodes themselves into compression for a denser, more aggressive result. Running both at once lets an engineer stack a soft opto pass under a firmer tube pass on the same source. The EQ section is a passive Pultec-style network with selectable low-cut, low-shelf boost, a sweepable midrange dip, and a high-shelf that extends up to 24 kHz, and it can be patched before the compressors, after them, or into the sidechain for frequency-selective gain reduction. On the input side, the mic path uses its own transformer with switchable impedance, a separate transformer handles line-level signals, and a 100 kOhm front-panel jack takes instruments directly.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eGeneral\u003c\/li\u003e\n  \u003cli\u003eTube device (3 Triodes)\u003c\/li\u003e\n  \u003cli\u003eClass-A circuit\u003c\/li\u003e\n  \u003cli\u003eStepped Potentiometers\u003c\/li\u003e\n  \u003cli\u003eTransformer balanced inputs and output\u003c\/li\u003e\n  \u003cli\u003eInternal power supply with toroidal transformer\u003c\/li\u003e\n  \u003cli\u003eHeight: 132mm (3U), width: 483 mm, depth: 250mm\u003c\/li\u003e\n  \u003cli\u003eMicrophone Preamp\u003c\/li\u003e\n  \u003cli\u003eMicrophone preamp with transformer \/ 48V \/ Phase\u003c\/li\u003e\n  \u003cli\u003eTrue 48V phantom power\u003c\/li\u003e\n  \u003cli\u003ePhase switch\u003c\/li\u003e\n  \u003cli\u003eHigh-impedance instrument input(100 kΩhm)\u003c\/li\u003e\n  \u003cli\u003eCharacter changeable from clean to fat\u003c\/li\u003e\n  \u003cli\u003eEqualizer\u003c\/li\u003e\n  \u003cli\u003eLow-cut: 80-160 Hz\u003c\/li\u003e\n  \u003cli\u003eLow-mid boost: 80-120-200-300-500-700-1000 Hz\u003c\/li\u003e\n  \u003cli\u003eMid-cut: 200-300-500-700 Hz 1-1,5-2-3-4-5-7 kHz\u003c\/li\u003e\n  \u003cli\u003eHigh boost: 1,5-2-3-4-5-7-10-12-16-20-24 kHz\u003c\/li\u003e\n  \u003cli\u003eCompressor\u003c\/li\u003e\n  \u003cli\u003eOpto compressor\u003c\/li\u003e\n  \u003cli\u003eVari-Tube compressor (vari-µ)\u003c\/li\u003e\n  \u003cli\u003eSoft-Knee\u003c\/li\u003e\n  \u003cli\u003eProgram-adaptive attack and release timing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eFrequency Response: 20 Hz–40 kHz\u003c\/li\u003e\n  \u003cli\u003eMaximum Mic Input Level: +12 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum Line Input Level: +20 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum Instrument Input Level: +6 dBu\u003c\/li\u003e\n  \u003cli\u003eLine Input Impedance: ≥ 2.4kΩ\u003c\/li\u003e\n  \u003cli\u003eInstrument Input Impedance: = 100kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput Impedance: \u0026lt; 600 Ω\u003c\/li\u003e\n  \u003cli\u003eMaximum Output Level: +24 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic Range: = 95 dB\u003c\/li\u003e\n  \u003cli\u003eVoltage: 230 V~\/50 Hz or 115 V~\/60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse: 500 mA slow-blow\u003c\/li\u003e\n  \u003cli\u003eMaximum Power Consumption: \u0026lt; 25 W\u003c\/li\u003e\n  \u003cli\u003eDimensions: 3 U, H:132 mm, W:483 mm, D:250 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":51335633567967,"sku":"TGL-0001","price":244385.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Tegeler-Audio-Vari-Tube-Recording-Channel-VTRC-PIG-01.jpg?v=1788606246"},{"product_id":"tegeler-audio-magnetismus-2","title":"Tegeler Audio Magnetismus 2: Analog Tape Saturation and Transient Processor","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eMagnetismus 2 is an analog tape-saturation and transient-shaping processor built for sources where attack and sustain need independent control, such as drums, plucked instruments, or synth percussion. It pairs a VCA compressor stage with a downstream transient shaper, so a signal can first be brought under gain-controlled tension and then have its attack and body reshaped separately from that gain reduction. The unit runs fully analog and is hand-assembled in Germany.\u003c\/p\u003e\n\u003cp\u003eThe transient section is where the design departs from a conventional shaper: instead of simple envelope-following gain changes, it routes the signal through one of three selectable Flux Modes, each named for a tape formulation (Eisen\/iron, Kobalt\/cobalt, Nickel\/nickel) and each modeling how that material's magnetic saturation behaves over a different time window. Choosing between them changes how quickly and how densely the transient rounds off. A transformer at the output stage adds a further layer of harmonic thickening once the shaping is done, and the VCA compressor ahead of it can be bypassed on its own, so the transient shaping can be used without any gain reduction at all if that's all a mix needs.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eStereo Unit\u003c\/li\u003e\n  \u003cli\u003eInput: Balanced XLR\u003c\/li\u003e\n  \u003cli\u003eOutput: Transformer Balanced XLR\u003c\/li\u003e\n  \u003cli\u003eVCA Compressor\u003c\/li\u003e\n  \u003cli\u003eAdjustable threshold and ratio\u003c\/li\u003e\n  \u003cli\u003eWide range of adjustable timing\u003c\/li\u003e\n  \u003cli\u003eLED gain reduction meter\u003c\/li\u003e\n  \u003cli\u003eAdjustable level and intensity of transient processing\u003c\/li\u003e\n  \u003cli\u003eIlluminated VU meter for working point control\u003c\/li\u003e\n  \u003cli\u003eAdjustable output level\u003c\/li\u003e\n  \u003cli\u003eStepped Potentiometers\u003c\/li\u003e\n  \u003cli\u003eBypass Switch\u003c\/li\u003e\n  \u003cli\u003eInternal power supply\u003c\/li\u003e\n  \u003cli\u003eHeight: 88,1 mm (2 HE), width: 483 mm, depth: 250mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eFrequency Response: 20 Hz–22 kHz\u003c\/li\u003e\n  \u003cli\u003eMaximum Input Level: +20 dBu\u003c\/li\u003e\n  \u003cli\u003eInput Impedance: ≥ 2.4kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput Impedance: \u0026lt; 600 Ω\u003c\/li\u003e\n  \u003cli\u003eMaximum Output Level: +24 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic Range: = 95 dB\u003c\/li\u003e\n  \u003cli\u003eVoltage: 110- 240 V~\/50-60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse: 500mA slow-blow\u003c\/li\u003e\n  \u003cli\u003eMaximum Power Consumption: \u0026lt; 25 W\u003c\/li\u003e\n  \u003cli\u003eDimensions: 2 U, H:88.1 mm, W:483 mm, D:250 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":51335633600735,"sku":"TGL-0002","price":188140.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Tegeler-Audio-Magnetismus-2-PIG-01.jpg?v=1788606239"},{"product_id":"tegeler-audio-tube-summing-mixer","title":"Tegeler Audio Tube Summing Mixer","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eThe Tube Summing Mixer is an outboard analog summing mixer built for engineers who want their DAW stems recombined through real tube and transformer circuitry rather than inside a digital mix bus. Stems leave the DAW as individual outputs, pass through this unit's active tube gain stages and output transformer, and return as a stereo mix with the width, separation, and low-end weight that analog summing is known for.\u003c\/p\u003e\n\u003cp\u003eCapacity is generous: forty channels arrive via four D-Sub connectors wired to the common Tascam pinout, handling thirty-two of those channels, with four further stereo pairs available on balanced TRS jacks for outboard returns or extra stems. A mono source can be dropped straight into the lower jack of any TRS pair and the unit automatically splits it evenly to left and right, useful for center-panned elements without burning a full stereo channel. Output level is set with a stepped switch rather than a potentiometer, moving in fixed decibel increments down to fifteen decibels of attenuation, which keeps gain staging repeatable across sessions instead of relying on a knob position. Multiple units can be chained together where a mix calls for more than forty inputs, including surround work.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003e2 × 16 balanced inputs via 4 sub D connectors (XLR or TRS via adapter cable, Tascam® layout)\u003c\/li\u003e\n  \u003cli\u003e2 × 4 balanced TRS inputs (Neutrik® stereo jack)\u003c\/li\u003e\n  \u003cli\u003eInternal mix bus with up to +22 dBu\u003c\/li\u003e\n  \u003cli\u003eActive Tubes and Transformer output stage\u003c\/li\u003e\n  \u003cli\u003eIlluminated VU meters\u003c\/li\u003e\n  \u003cli\u003eOutput Level switch in -3db increments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eFrequency Response: 20 Hz–40 kHz\u003c\/li\u003e\n  \u003cli\u003eMaximum Input Level: +22 dBu\u003c\/li\u003e\n  \u003cli\u003eInput Impedance: = 10kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput Impedance: \u0026lt; 600 Ω\u003c\/li\u003e\n  \u003cli\u003eMaximum Output Level: +24 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic Range: = 110 dB\u003c\/li\u003e\n  \u003cli\u003eVoltage: 230 V~\/50 Hz or 115 V~\/60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse: 500mA slow-blow\u003c\/li\u003e\n  \u003cli\u003eMaximum Power Consumption: \u0026lt; 25 W\u003c\/li\u003e\n  \u003cli\u003eDimensions: 2 U, H:88.1 mm, W:483 mm, D:250 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":51335633633503,"sku":"TGL-0003","price":198040.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Tegeler-Audio-Tube-Summing-Mixer-PIG-01.jpg?v=1788606239"},{"product_id":"tegeler-audio-classic-equalizer-eqp1-tube-dual-mono","title":"Tegeler Audio Classic Equalizer EQP1 Tube Dual- Mono Passive Program EQ","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eThe Classic Equalizer EQP-1 is a passive tube program equalizer built in the lineage of the original Pultec EQP-1A, offered here in a dual-mono configuration with a fully independent control set on each of its two channels. Rather than a single shared stereo circuit, dual-mono means left and right (or two unrelated mono sources) can be voiced completely differently, which matters for mastering work where small channel-to-channel imbalances need correcting, or for tracking two unrelated instruments through the same box at once.\u003c\/p\u003e\n\u003cp\u003eIts EQ network follows the same three-section logic the Pultec design made famous: a low-frequency shelf that can boost and cut at overlapping points simultaneously for that broad, non-cancelling bottom-end lift, a bandwidth-adjustable midrange\/treble boost, and a separate fixed high-frequency shelf cut. All of the filtering itself is done with passive components, capacitors and inductors, which is what keeps the tone free of the harshness solid-state EQ curves can introduce at extreme settings. A tube gain stage and a pair of input\/output transformers sit around that passive network, adding harmonic density and a rounder top end even when the EQ curve itself is left flat.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eLow boost\/attenuation (Low shelf):\u003c\/li\u003e\n  \u003cli\u003e20 Hz, 30Hz, 60 Hz, 100 Hz\u003c\/li\u003e\n  \u003cli\u003eHigh boost (Peak with variable bandwidth):\u003c\/li\u003e\n  \u003cli\u003e3 kHz, 4 kHz, 5 kHz, 6 kHz, 8 kHz, 10 kHz, 12 kHz, 16 kHz, 20 kHz\u003c\/li\u003e\n  \u003cli\u003eHigh attenuation: (High shelf) 5 kHz, 10 kHz, 20 kHz\u003c\/li\u003e\n  \u003cli\u003eBalanced input and output\u003c\/li\u003e\n  \u003cli\u003eInput and output transformer\u003c\/li\u003e\n  \u003cli\u003eBypass switch\u003c\/li\u003e\n  \u003cli\u003einternal power supply\u003c\/li\u003e\n  \u003cli\u003eHeight: 88,1 mm (2 HE), width:483 mm, depth:220 mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eFrequency Response: 20 Hz–22 kHz\u003c\/li\u003e\n  \u003cli\u003eMaximum Input Level: +20 dBu\u003c\/li\u003e\n  \u003cli\u003eInput Impedance: ≥ 2.4 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput Impedance: \u0026lt; 600 Ω\u003c\/li\u003e\n  \u003cli\u003eMaximum Output Level: +22 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic Range: = 95 dB\u003c\/li\u003e\n  \u003cli\u003eVoltage: 230 V~\/50 Hz or 115 V~\/60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse: 500mA träge\u003c\/li\u003e\n  \u003cli\u003eMaximum Power Consumption: \u0026lt; 25 W (0,01A at 230 V)\u003c\/li\u003e\n  \u003cli\u003eDimensions: 2 U, H:88.1 mm, W:483 mm, D:250 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":51335633666271,"sku":"TGL-0004","price":214680.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Tegeler-Audio-Classic-Equalizer-EQP1-Tube-Dual-Mono-PIG-01.jpg?v=1788606239"},{"product_id":"tegeler-audio-creme-rc","title":"Tegeler Audio Crème RC Remote-Controllable EQ and Bus Compressor","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eCrème RC is a remote-controllable outboard unit that combines a passive Pultec-style two-band equalizer with a VCA bus compressor, aimed squarely at mix-bus and mastering duty. The \"RC\" designates the remote-control feature: every control on the front panel is driven by a servo motor, so the same knob a hand would turn can instead be moved from a companion DAW plugin, which means settings save and recall with the session and can be automated like any other plugin parameter.\u003c\/p\u003e\n\u003cp\u003eThe compressor is built on VCA gain-reduction circuitry in the vein of classic bus-compressor designs, with stepped ratio choices from 1.5:1 up to 10:1, six fixed attack times, and a release selection that includes fixed steps alongside an Auto mode and a program-dependent \"Cream\" release curve. A sidechain low-cut filter keeps low-frequency content from over-triggering gain reduction. The EQ section sits either before or after the compressor, an order that's user-selectable, and applies broad shelving boosts at the low and high ends using the same passive-filter approach found across Tegeler's Pultec-style designs. Communication with the plugin runs over Ethernet rather than USB, removing the cable-length restriction of USB control links and allowing wireless operation through a router.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eEqualizer\u003c\/li\u003e\n  \u003cli\u003ePassive EQ (Pultec style)\u003c\/li\u003e\n  \u003cli\u003eBass boost frequencies: 20, 30, 60, 100, 140, 200 Hz\u003c\/li\u003e\n  \u003cli\u003eBass boost level: 0-5 dB switchable\u003c\/li\u003e\n  \u003cli\u003eHigh boost frequencies: 10, 12, 16, 18 ,20, 24 kHz\u003c\/li\u003e\n  \u003cli\u003eHigh boost level: 0-5 dB switchable\u003c\/li\u003e\n  \u003cli\u003eAll rotary switches for best recall\u003c\/li\u003e\n  \u003cli\u003eCompressor\u003c\/li\u003e\n  \u003cli\u003eSide-chain lowcut filter: 60, 120, 200 Hz\u003c\/li\u003e\n  \u003cli\u003eAttack: 0.1, 0.3, 1, 3, 10, 30 ms\u003c\/li\u003e\n  \u003cli\u003eRelease: 100, 300, 600 ms, 1.2 s, Auto, Cream\u003c\/li\u003e\n  \u003cli\u003eRatio: 1.5, 2, 4, 10\u003c\/li\u003e\n  \u003cli\u003eStepped Potentiometers for Threshold and Output, rest rotary switches\u003c\/li\u003e\n  \u003cli\u003eBalanced inputs and outputs\u003c\/li\u003e\n  \u003cli\u003eRemote Control\u003c\/li\u003e\n  \u003cli\u003eServo-motorized controls for full recall\u003c\/li\u003e\n  \u003cli\u003eControl via front panel, internal web server, or DAW plugin\u003c\/li\u003e\n  \u003cli\u003ePlugin formats: AU, AAX, VST\u003c\/li\u003e\n  \u003cli\u003eParameter automation in the DAW\u003c\/li\u003e\n  \u003cli\u003eEthernet connection (no USB cable-length limit)\u003c\/li\u003e\n  \u003cli\u003eWireless operation via router\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eFrequency Response: 20 Hz–40 kHz\u003c\/li\u003e\n  \u003cli\u003eMaximum Input Level: +22 dBu\u003c\/li\u003e\n  \u003cli\u003eInput Impedance: ≥ 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput Impedance: \u0026lt; 600 Ω\u003c\/li\u003e\n  \u003cli\u003eMaximum Output Level: +24 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic Range: ≥ 110 dB\u003c\/li\u003e\n  \u003cli\u003eVoltage: 230 V~\/50 Hz or 115 V~\/60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse: 500mA slow-blow\u003c\/li\u003e\n  \u003cli\u003eMaximum Power Consumption: \u0026lt; 25 W (0.01A at 230 V)\u003c\/li\u003e\n  \u003cli\u003eDimensions: 2 U, H: 88.1 mm, W: 483 mm, D: 250 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":51335633699039,"sku":"TGL-0005","price":257455.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Tegeler-Audio-Creme-RC-PIG-01.jpg?v=1788606239"},{"product_id":"tegeler-audio-raumzeitmaschine-tube-reverb","title":"Tegeler Audio Raumzeitmaschine - Tube Reverb Processor","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eRaumzeitmaschine — German for \"space-time machine\" — is a tube-driven reverb processor that pairs a digitally calculated reverb algorithm with an analog tube output stage, positioning it as a hybrid rather than a pure digital or pure spring\/plate unit. The reverb tail itself is computed digitally for a true stereo spread, but every input and output on the unit is analog only; there is no digital I\/O, and the tube stage is what gives the returned signal its final coloration and depth.\u003c\/p\u003e\n\u003cp\u003eEach channel runs its return through two double-triode tubes along with dedicated input and output transformers, and that tube stage can be pushed into mild overdrive deliberately, for reverb tails that pick up harmonic grit rather than staying pristine. Control is kept deliberately narrow: predelay, room size, density, and decay time are the primary parameters, favoring quick, musical decisions over a long menu of secondary settings. As with Crème RC, control isn't limited to the front panel — the unit connects over Ethernet and can be run from its own built-in webserver interface or from a DAW plugin, with every parameter servo-driven so hardware and software stay in sync and settings recall with the session.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eTrue stereo\u003c\/li\u003e\n  \u003cli\u003eInput: XLR, transformer-balanced\u003c\/li\u003e\n  \u003cli\u003eOutput: XLR, transformer-balanced\u003c\/li\u003e\n  \u003cli\u003eReverb processor\u003c\/li\u003e\n  \u003cli\u003eAdjustable Pre-delay, Room size, Density and Decay Time\u003c\/li\u003e\n  \u003cli\u003eEthernet\u003c\/li\u003e\n  \u003cli\u003eControllable by the webpage of the device or by plug-in (VST, AU, AAX)\u003c\/li\u003e\n  \u003cli\u003eServo pots\u003c\/li\u003e\n  \u003cli\u003eDynamic: \u0026gt;110dB unweighted\u003c\/li\u003e\n  \u003cli\u003eAttenuation-to-crosstalk ratio L\/R \u0026gt;90 dB @ 1 kHz\u003c\/li\u003e\n  \u003cli\u003eInternal power supply (25W)\u003c\/li\u003e\n  \u003cli\u003eHeight: 88,1mm (2u), Width: 483 mm, Depth: 250mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eFrequency Response: 10 Hz–22 kHz\u003c\/li\u003e\n  \u003cli\u003eMaximum Input Level: +22 dBu\u003c\/li\u003e\n  \u003cli\u003eInput Impedance: = 10kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput Impedance: \u0026lt; 600 Ω\u003c\/li\u003e\n  \u003cli\u003eMaximum Output Level: +24 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic Range: = 110 dB\u003c\/li\u003e\n  \u003cli\u003eVoltage: 110- 240 V~\/50-60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse: 500mA slow-blow\u003c\/li\u003e\n  \u003cli\u003eMaximum Power Consumption: \u0026lt; 25 W\u003c\/li\u003e\n  \u003cli\u003eDimensions: 2 U, H:88.1 mm, W:483 mm, D:250 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tegeler Audio","offers":[{"title":"Default Title","offer_id":51335633764575,"sku":"TGL-0006","price":347365.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Tegeler-Audio-Raumzeitmaschine-Tube-Reverb-PIG-01.jpg?v=1788606239"},{"product_id":"freqport-signal-processing-ft1","title":"FreqPort FreqTube FT1 - USB Vacuum Tube Saturation Processor","description":"\u003cp\u003eFor the first time in history, FreqTube FT1 lets you combine the awe-inspiring tone of real tube saturation with the convenience of digital connectivity in an easy to use, portable solution that will take your productions to the next level.\u003c\/p\u003e\n\u003cp\u003eWhile analog processors are highly coveted, they often require elaborate setups that complicate your workflow, making it hard to strike while your creative iron is hot. FreqTube solves this problem by giving you full control over its four true-analog vacuum tubes via a simple USB connection. You’ll never again have to choose between convenience and quality.\u003c\/p\u003e\n\u003cp\u003eThe FT1 delivers real analog drive and color with all the convenience of a VST. Saturation, heat, drive, harmonics, distortion… whatever you want to call it, the FreqTube FT1 adds true-analog valve tone and color to your digital productions via just a simple USB connection.\u003c\/p\u003e\n\u003cp\u003eProcess any sound you like via the FreqTube’s four vacuum tubes and eight multimode hardware filters and – control it all via the, included, proprietary VST interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant, recallable analog tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHook up the FreqTube to your computer and load the control VST into your DAW, and you’ve got instant, recallable, low latency command over a broad palette of analog tones from subtle to savage… all with the ease-of-use you would expect from a digital plugin!\u003c\/p\u003e\n\u003cp\u003eBecause FT1 uses two sets of two tubes, you get two gain stages with full attenuation per channel for the ultimate in tone shaping. You can even process two stereo signals simultaneously, or up to four mono signals.\u003c\/p\u003e\n\u003cp\u003eThe FreqTube gives you hands-on control via its eight control knobs and bright, responsive color display. Of course, you can also use the included VST to control (and automate) all knob parameters. Once you have a sound you like, store it as a pre-set for instant recall.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA color box, not a distortion box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFreqTube FT1 is not a pedestrian distortion box. It’s a color box with a broad palette of tonal options suitable for creative musicians, demanding engineers, and world-class producers.\u003c\/p\u003e\n\u003cp\u003eFreqport is reinventing analog through core technology that allows real hardware to run as plugins within your own digital workflow - not only for control but with bit perfect high end audio. Simply by connecting a USB!\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eFor maximum clarity the UI represents the circuit that is in the hardware.\u003c\/li\u003e\n  \u003cli\u003eMulti-instance. Multiple tube types – two tube types from premium brands such as JJ and Electro-Harmonix.\u003c\/li\u003e\n  \u003cli\u003eRun multiple plugin instances at one time anywhere in your digital workflow.\u003c\/li\u003e\n  \u003cli\u003eSeamless bit perfect audio transfers into your digital workflow.\u003c\/li\u003e\n  \u003cli\u003eRecall of all analog parameters - each time you revisit your mix the settings will be the same!\u003c\/li\u003e\n  \u003cli\u003eSelectable overdrive with clipping detection.\u003c\/li\u003e\n  \u003cli\u003eAssignable knobs for tactile tweaking of analog parameters.\u003c\/li\u003e\n  \u003cli\u003eAnalog gain, mixing, drive, phase control and harmonics control.\u003c\/li\u003e\n  \u003cli\u003ePrimary and parallel multi-mode hardware filters, with harmonics auto gain compensation.\u003c\/li\u003e\n  \u003cli\u003eSupport for multiple DAW’s on MAC and PC. Simple installer.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FreqPort","offers":[{"title":"Default Title","offer_id":51335943848159,"sku":"FQP-0002","price":121832.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/FreqPort-Signal-Processing-FT1-PIG-01.jpg?v=1788508589"},{"product_id":"spl-studio-transient-designers-series-transient-designer-4-mk2","title":"SPL Transient Designer 4 MK2 Level-Independent Dynamics Processor","description":"\u003cp\u003e\u003cstrong\u003eLevel-independent dynamics processing\u003c\/strong\u003e\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399559545055,"sku":"SPL-0036","price":158785.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Transient-Designers-Series-Transient-Designer-4-MK2-PIG-01.png?v=1789489686"},{"product_id":"spl-studio-de-essers-series-de-esser-mk2","title":"SPL De-Esser MK2 Analog De-Esser","description":"\u003cp\u003e\u003cstrong\u003eAuto-Dynamic DeEsser\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSPL DeEsser – the revolution of S-sound reduction.\u003c\/p\u003e\n\u003cp\u003eThe DeEsser uses a unique technology to reduce sibiliance in a mix or on vocal tracks. It automatically detects and hones in on the sibilant frequencies leaving neighboring frequencies unaffected. These S‑sounds are mixed back into the main signal phase-inverted to cancel out the sibilance. The result is a sound-neutral, inconspicuous and extremely effective process. Even at high S‑Reduction values the de-essing has an egligible effect on the character and timbre of the voice.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog inputs \u0026amp; outputs; XLR \u0026amp; TRS Jack (balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input and output gain: 21 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance: 21 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 100 Ω\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection (1 kHz): \u0026gt; 80 dB\u003c\/li\u003e\n  \u003cli\u003eFrequency range (-3 dB): 10 Hz -100 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD + N (0 dBu, 10 Hz – 22 kHz): -90 dB\u003c\/li\u003e\n  \u003cli\u003eCrosstalk (1 kHz): -90 dB\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted): -97 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 118 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for analog audio: 15 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: 12 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 200 mA\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 400 mA\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 15 W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 44 x 237 mm \/ 19 x 1.73 x 9.33 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 3.3 kg \/ 7.27 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 4.45 kg \/ 9.81 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399559676127,"sku":"SPL-0037","price":116910.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-De-Essers-Series-De-Esser-MK2-PIG-01.jpg?v=1789489373"},{"product_id":"spl-studio-classics-series-tube-vitalizer","title":"SPL Tube Vitalizer Programm-Equalizer","description":"\u003cp\u003eThe Tube Vitalizer combines the finest audio technologies: Tube technology, RC \u0026amp; LC-technology, transistor- and semiconductortechnology. The unique combination of dynamic equalizers, amplitude-controlled phase correction, harmonic filtering opens up a whole new listening dimension by adapting the sound pattern to the non-linearities of the human ear. The Tube Vitalizer gives the mid frequencies accurate transparency with a soft, unobtrusive sound.The treble range is reworked with broadband shelving filters, which focus on achieving a smooth, silky sound pattern. Filtering can be altered by adding a passive LC-filter network. High frequencies are livened up without them sounding hard or aggressive. The Tube Vitalizer uses an hitherto undocumented filter network to process the low frequency range. The bass is accentuated without any risk of emphasizing the lower mid frequencies unnaturally. You can choose between a dry, percussive bass (Tight) or a punchy, soft and very deep sound character (Soft). Both sounds can be altered by adding a passive LC-filter network. The bass and high frequency section are both equipped with easy to use compressors based around the THAT 4301. The output section can be switched from solid-state to tube operation. Now you can add that warm and smooth tube sound to your mix and directly compare it with the “non-tube” mix. The tube stage is an original AEG design from 1955. It utilizes three tubes. This stage reduces crosstalk to 54 dB which is typical for vinyl-cutting. Responding to latest psychoacoustic research it is believed that vinyl sounds “better” than CD because of a more natural sound stage. There are no sounds in nature that are coherent but have a channel separation of about 90 dB like on CD. This tube stage gives you the possibility to add vinyl-sound to your CD production.\u003c\/p\u003e\n\u003cp\u003eThe Tube Vitalizer will perform the task of audio sweetening with great tonal flexibility and musicality. The result of processing is a pleasanter and livelier sound pattern with an unrivalled wealth of detail.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399559807199,"sku":"SPL-0038","price":207945.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Classics-Series-Tube-Vitalizer-PIG-01.png?v=1789489373"},{"product_id":"spl-studio-sound-enhancers-series-stereo-vitalizer-mk2-t","title":"SPL Stereo Vitalizer Mk2-T Dual Channel Program EQ","description":"\u003cp\u003e\u003cstrong\u003eDual Channel Program EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Stereo Vitalizer MK2 is an equalizer concept which makes use of scientific psychoacoustic technology to process audio signals. The unique combination of dynamic equalizers, amplitude-controlled phase correction, harmonic filtering and stereo expanding opens up a whole new listening dimension by adapting the sound pattern to the non-linearities of the human ear.\u003c\/p\u003e\n\u003cp\u003eThe Stereo Vitalizer MK2 gives the mid frequencies accurate transparency with a soft, unobtrusive sound. The treble range is reworked with broadband shelving filters, achieving a smooth, silky sound pattern. The bass is accentuated without any risk of emphasizing the lower mid frequencies unnaturally, with a choice between a dry, percussive bass (Tight) or a punchy, soft and very deep sound character (Soft), complemented by an easy-to-use compressor.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399559905503,"sku":"SPL-0039","price":96050.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Sound-Enhancers-Series-Stereo-Vitalizer-Mk2-T-PIG-01.png?v=1789489642"},{"product_id":"spl-studio-sound-enhancers-series-vitalizer-mk3-t","title":"SPL Vitalizer Mk3-T Program Equalizer","description":"\u003cp\u003e\u003cstrong\u003eProgram Equalizer\u003c\/strong\u003e\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399560102111,"sku":"SPL-0040","price":158785.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Sound-Enhancers-Series-Vitalizer-Mk3-T-PIG-01.png?v=1789489643"},{"product_id":"spl-studio-500-series-series-des-dual-band-de-esser","title":"SPL DeS - Dual-Band De-Esser 500 Series Module","description":"\u003cp\u003e\u003cstrong\u003eThe Dual-Band De-Esser for 500 Series.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe well-known SPL De-Esser in the Dual-Band version as a single-slot module for 500 Series.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInput \u0026amp; Output; balanced\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input \u0026amp; output gain: 21 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance: 20 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 150 Ω\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection: \u0026gt; 82 dB\u003c\/li\u003e\n  \u003cli\u003eFrequency range (-3 dB): 10 Hz – 100 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD \u0026amp; N (0 dBu, 10 Hz – 22 kHz): 0.03 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted): -93 dB\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 113 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eSingle-spaced module for 500 Series\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 0.65 kg \/ 1.43 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 0.7 kg \/ 1.54 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399560626399,"sku":"SPL-0045","price":50555.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-500-Series-Series-DeS-Dual-Band-De-Esser-PIG-01.png?v=1789489218"},{"product_id":"spl-studio-500-series-series-tdx","title":"SPL TDx 500 Series Transient Designer","description":"\u003cp\u003e\u003cstrong\u003eThe Transient Designer for 500 Series.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Transient Designer TDx brings level-independent dynamics processing to the world of 500 Series.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInput \u0026amp; Output; balanced\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input \u0026amp; output gain: 21 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance: 20 kΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 150 Ω\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection: \u0026gt; 82 dB\u003c\/li\u003e\n  \u003cli\u003eFrequency range (-3 dB): 10 Hz – 100 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD \u0026amp; N (0 dBu, 10 Hz – 22 kHz): 0.03 %\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted): -92.3 dBu\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 113 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eSingle-spaced module for 500 Series\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 0.65 kg \/ 1.43 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 0.9 kg \/ 1.98 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399560823007,"sku":"SPL-0047","price":53350.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-500-Series-Series-TDx-PIG-01.png?v=1789489244"},{"product_id":"spl-mastering-compressors-series-venos","title":"SPL Venos Stereo Bus Compressor","description":"\u003cp\u003e\u003cstrong\u003eOperating Principles of a Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe basic operating principles of a compressor\/limiter can be easily explained. The level of an audio signal is reduced according to the specified Attack time and Ratio whenever it exceeds a given threshold. This reduction ceases when the Release time elapses, while the compressed signal is amplified with the Make-Up Gain. Compressors basically differ from each other in the technology used. This technology – tubes, opto, FET, or VCA – is what gives a compressor its particular character. Some units sound soft and silky, some sound pounding, while some others make sound fatter, and there are those that make sound clearer, harder or more percussive. The trick resides in how the unit is technically designed, in the signature of the maker. Different compressors with the exact same settings might work and sound completely different. They provide different sounds for different applications and music styles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVenos Stereo Bus Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdding size, depth and impact to a stereo signal has never been easier. The Venos stereo bus compressor is based on the same design as many legendary vintage tube compressors. Venos expands this impressive sonic signature with two revolutionary hyper-compression modes, opening up new dimensions of sound. With SPL 120V technology this sound is crowned to king of dynamics.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399562330335,"sku":"SPL-0060","price":621590.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Mastering-Compressors-Series-Venos-PIG-01.png?v=1789488745"},{"product_id":"spl-mastering-compressors-series-iron-v2","title":"SPL IRON V2 Dual-Tube Mastering Compressor","description":"\u003cp\u003e\u003cstrong\u003eOperating Principles of a Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe basic operating principles of a compressor\/limiter can be easily explained. The level of an audio signal is reduced according to the specified Attack time and Ratio whenever it exceeds a given threshold. This reduction ceases when the Release time elapses, while the compressed signal is amplified with the Make-Up Gain. Compressors basically differ from each other in the technology used. This technology tubes, opto, FET, or VCA - is what gives a compressor its particular character. Some units sound soft and silky, some sound pounding, while some others make sound fatter, and there are those that make sound clearer, harder or more percussive. The trick resides in how the unit is technically designed, in the signature of the maker. Different compressors with the exact same settings might work and sound completely different. They provide different sounds for different applications and music styles. Nowadays, the compressor has become a key element when it comes to provide dynamics and punch to any production. The number of compressors available is huge and it‘s easy to succumb to the promises made by software emulations and analog recreations of vintage gear as the perfect solution. Unfortunately, many of these emulations and recreations differ quite a bit form their original counterparts. You must simply accept that the components used today, like the transformers, tubes and all other passive elements, are different to the ones originally used and that they can‘t be digitally emulated. No software (DSP-emulated compressors) or hardware replica will ever be able to sound like the original. An authentic sound can only be achieved with the original unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIRON Mastering Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe IRON mastering compressor is not a copy of a classic unit, but rather an original concept in itself. Our goal was to conceive a compressor that provided a pleasant, melodic-sounding, transparent compression, inspired on the vintage compressors of the radio era. And we wanted it to be versatile enough to adapt perfectly to the needs of modern mastering studios. Thus, the Iron combines not only the sonic virtues of legendary vintage tube compressors with the advantages of the High Dynamic 120 V operating voltage in a single unit. It also sets a new benchmark in terms of tube compressor technology, with the innovative implementation of a parallel dual-tube circuit. Thanks to the especially conceived Mu-Metal iron transformers, the signal of each channel is split across two different twin-triode tubes. The combination of the different response curves of both tubes results in a transparent and musically pleasant compression. Additionally, peak signals of the control voltage are limited by a feed-forward resistive opto-isolator. Thus, the output signal remains lively even with a high gain reduction. The compression is only noticeable with extreme settings. But mastering is not the only domain where the IRON sets new standards. It can also be used to process individual instruments, like vocals, bass, guitar, strings, etc. The IRON is also an excellent option for subgroups.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399562494175,"sku":"SPL-0061","price":825150.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Mastering-Compressors-Series-IRON-V2-PIG-01.png?v=1789488745"}],"url":"https:\/\/proaudiogear.in\/collections\/compressors-and-limiters\/cranborne-audio.oembed","provider":"proaudiogear.in","version":"1.0","type":"link"}