{"title":"Channel Strips","description":null,"products":[{"product_id":"focusrite-isa-series-isa-430-mk-ii","title":"Focusrite ISA 430 Mk II Analogue Channel Strip","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eThe ISA 430 Mk II is the pinnacle of Focusrite's analogue channel strip technology, bringing every one of the company's classic designs together into a single comprehensive production tool. Alongside the transformer-based ISA microphone preamp sit a four-band EQ, a multi-format compressor, a discrete Class A gate and expander, a phase cancellation de-esser and a soft limiter, with internal routing and connectivity that no other channel strip can match.\u003c\/p\u003e\n\u003cp\u003eThe mic pre switches between 600Ω, 2.4kΩ and 6.8kΩ input impedances plus the original ISA 110 setting, so it gets the best from any microphone, from modern condensers to the most temperamental ribbons. The 'Air' switch drops a wire-wound inductor into the transformer's secondary, adding clarity and spaciousness without touching the EQ.\u003c\/p\u003e\n\u003cp\u003eThree compressor modes - transparent VCA, Vintage Opto and Opto Limit - sit behind a Blend control that mixes the compressed and uncompressed signal, so the same source can be handled with clinical control or with the softer character of a classic opto design. The 'Listen' feature lets you solo exactly what the compressor, gate, expander or de-esser is reacting to, and inserts and monitoring points are available all along the signal chain.\u003c\/p\u003e\n\u003cp\u003eBecause those sections can be split apart and patched in any order, the ISA 430 Mk II works as up to four separate modular processors at once: mic pre, EQ, dynamics and, with the optional card fitted, a stereo A-D converter. The soft limiter sits ahead of that converter, so the ADC can never be driven into overload.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eClassic Focusrite transformer-based microphone preamp with variable impedance and 'Air' feature.\u003c\/li\u003e\n  \u003cli\u003eMulti-format compressor with transparent VCA, Vintage Opto and Opto Limit modes, plus compressed\/uncompressed Blend.\u003c\/li\u003e\n  \u003cli\u003eClassic Focusrite EQ design, an expanded version of the original ISA 110, with two shelving bands, two parametric bands and high- and low-pass filters.\u003c\/li\u003e\n  \u003cli\u003eProprietary Focusrite discrete Class A VCA gate and expander designs.\u003c\/li\u003e\n  \u003cli\u003ePhase cancellation de-esser covering 2.2kHz to 9.2kHz.\u003c\/li\u003e\n  \u003cli\u003e'Listen' feature for precise control over compression, gating, expansion and de-essing.\u003c\/li\u003e\n  \u003cli\u003eSoft limiter to avoid critical digital overload.\u003c\/li\u003e\n  \u003cli\u003eUnmatched signal path flexibility, with inserts and monitoring points throughout the chain.\u003c\/li\u003e\n  \u003cli\u003ePost mic pre output for the shortest possible signal path.\u003c\/li\u003e\n  \u003cli\u003eAble to function as four separate modular processors simultaneously.\u003c\/li\u003e\n  \u003cli\u003eOptional stereo A-D card adds 24-bit\/192kHz Delta-Sigma conversion.\u003c\/li\u003e\n  \u003cli\u003ePrecision VU metering of the input level, Insert 1 or 2, and Return level.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMic gain range:\u003c\/strong\u003e 0 to +60dB in 10dB steps\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMic input impedance:\u003c\/strong\u003e variable, 600Ω, 2.4kΩ, 6.8kΩ and original ISA 110 setting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMic EIN:\u003c\/strong\u003e -128dB with 150Ω terminating impedance at 60dB of gain\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLine gain range:\u003c\/strong\u003e +10dB to +40dB, continuously variable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLine input impedance:\u003c\/strong\u003e greater than 1MΩ\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTHD:\u003c\/strong\u003e 0.001% with -20dBu, 1kHz input and 20Hz-22kHz bandpass filter\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEQ shelving bands:\u003c\/strong\u003e LF 20Hz, 56Hz, 160Hz, 460Hz; HF 2.2kHz, 4.7kHz, 10kHz, 18kHz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGate range:\u003c\/strong\u003e 0 to -80dB, expander ratio up to 5:1\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOptional ADC:\u003c\/strong\u003e 24-bit\/192kHz, 123dB A-weighted, jitter below 20 picoseconds\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 484 x 250 x 88mm, 2U rackmount\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":51230665081055,"sku":null,"price":214049.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Focusrite-ISA-Series-ISA-430-Mk-II-PIG-01.jpg?v=1787123444"},{"product_id":"universal-audio-6176-vintage-channel-strip","title":"Universal Audio 6176 Vintage Channel Strip Tube Mic Preamp \u0026 FET Compressor","description":"\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:0 0 14px;\"\u003eDescription\u003c\/h3\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eGet a Classic Tube Mic Preamp and 1176 Compressor in a Single Unit\u003c\/h4\u003e\n\u003cp\u003eThe 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip.\n\nThe warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eRecord Through a World Renowned Mic Preamp\u003c\/h4\u003e\n\u003cp\u003eThe 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it \"hands-down, the most dimensional mic preamp I've ever heard\". Peter Wade, engineer\/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, \"This box rocks.\" The 6176 mic preamp sections maintain the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch.\u003c\/p\u003e\n\u003ch4 style=\"font-size:15px;font-weight:700;margin:18px 0 8px;\"\u003eEnhance with Musical Compression\u003c\/h4\u003e\n\u003cp\u003eAs legendary engineer\/producer Andy Johns put it, \"The 1176LN is the workhorse compressor.\" In fact, the 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it's Class A output amplifier have enhanced countless recordings over the last thirty-five years. We've recreated the 1176LN for the compressor section of the 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. The resulting character, heritage and tone simply cannot be found on other channel strips.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eKey Features\u003c\/h3\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\u003c\/li\u003e\n  \u003cli\u003eCompress signals with the 1176LN Class A FET compressor section — heard on countless hit records for more than 40 years\u003c\/li\u003e\n  \u003cli\u003eUse the \"Split\" or \"Join\" switch for separate or series operation of the preamp and compressor\u003c\/li\u003e\n  \u003cli\u003eShape your tracks through vintage UA, \"handmade in the USA,\" circuits\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":51263801950431,"sku":"UAD-0003","price":377017.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/Universal-Audio-ANALOG-HARDWARE-Channel-Strip-Series-6176-Vintage-Channel-Strip-PIG-01.webp?v=1787649962"},{"product_id":"spl-studio-channel-strips-series-channel-one","title":"SPL Channel One Channel Strip","description":"\u003cp\u003eSPL is mainly known for the development of highly specialized audio-tools. Our philosophy, ”one product for one task”, is aimed at fast and simple operation in conjunction with high processing quality, to ensure highest musical performance. With Channel One SPL have produced a complete channel strip which for the greater part is based on the processing concepts already successfully realized in other products. The very complex task of a channel strip profits particularly from the innovative techniques that have always allowed the operation of SPL equipment to be efficient and objective. The ususal recording day is to a high degree determined by a series of opposing time limits – the ”highly paid” singer\/speaker desires a quick recording; however, if technical preparation takes a long time because of unsuitable equipment, time will be lost, increasing the costs and souring the working environment. The Channel One in all cases however allows fast production without any loss of professional precision and diligence. The Channel One consists of a transistor\/tube pre-amplifier with microphone-, line- and instrumental inputs, a de-esser, a compressor\/limiter with noise gate, an equalizer (EQ) section and a headphone monitor.\u003c\/p\u003e\n\u003cp\u003ePrinciples The Channel One has all necessary tools on board to prepare a recording for a digital recording system. It offers many possibilities for sound processing – the total bandwidth of subtle corrections to low-fidelity sounds is available. The versatility and completeness of the unit permits its use in additional areas, over and above the purely ”recording channel” facility, for instance in mixdown, as high quality single outboard EQ or compressor. To maximize user friendliness and for clarity all modules have been reduced to the most important regulating and switching facilities. Fast and effective operation is in no way impeded, quite the opposite – it´s supported. More time remains to work creatively. Great value was placed from the outset on high flexibility. An example of this is the 3 separate inputs for microphone, line-signals or instruments, each of which has been optimized to its function. A twin triode tube is utilized in the process at 2 points – one immediately after the amplifier stage and the other at the end of the chain, so that the processed signal passes once again through the tube stage. This construction combines the advantages of the transistor pre-amplifier stage (high performance with minimal distortions and low noise levels) with the improved musical expression of the tone produced by tubes. The microphone input can be optionally provided with Lundahl input transformers. The input transformers deliver a five times enhanced microphone level to the pre-amplifier, an amplification which reduces the equivalent load to the electronic pre-amplifier. The balanced outputs can also be equipped with Lundahl transformers, which deliver an even warmer and fuller sound.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399556595935,"sku":"SPL-0020","price":155375.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Channel-Strips-Series-Channel-One-PIG-01.png?v=1789489322"},{"product_id":"spl-studio-channel-strips-series-channel-one-mk3","title":"SPL Channel One MK3 Channel Strip Amplifier","description":"\u003cp\u003e\u003cstrong\u003eThe perfect front-end for the modern producer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor over 20 years, Channel One has been a synonym for a high-quality and extremely musical recording and mixing channel strip.\u003c\/p\u003e\n\u003cp\u003eIn the newest Mk3 version, this classic has been thoroughly revised and, in addition to a higher internal audio voltage (now +\/-18 V) for even better, more detailed sound, a further improved preamplifier section, an integrated Transient Designer, a Tube Saturation stage and a Mic A\/B comparison option for two microphones and other great features that raise the modern recording and mixing studio to a new level of quality. With de-esser, compressor and equalizer, all the important tools of a real channel strip are still on board. Whether it’s a microphone, line, or instrument signal, the Channel One Mk3 makes any source sound like a professionally recorded signal.\u003c\/p\u003e\n\u003cp\u003eThe new design of the SPL Studio Series perfectly highlights the sonic qualities of this 3rd generation Channel One.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog inputs \u0026amp; output; XLR (balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gainl (Mic, +9.5dB – +68 dB): 13.5 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Line, -20 dB – +16 dB): 22.5 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Instrument, -6 dB – +30dB): 15 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Mic\/Line): 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Instrument): 1.1 MΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range: 10 Hz – 200 kHz\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise (EIN): -126 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 30 dB Gain): -95 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 50 dB Gain): -79.5 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 68 dB Gain): -61.7 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 600 Ω, 5 dB Gain): -96.5 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 600 Ω, 20 dB Gain): -84.7 dBu\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection (1 kHz) Mic input: \u0026lt; 80 dB\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection (1 kHz) Line input: \u0026lt; 50 dB\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 30 dB Gain: 0.0022 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 50 dB Gain: 0.013 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 68 dB Gain (Max.): 0.048 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Line 0 dB Gain: 0.0022 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Line 16 dB Gain: 0.0017 %\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Shielded Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for analog audio: +\/-18 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: +12 V\u003c\/li\u003e\n  \u003cli\u003eTubes anode voltage: +250 V\u003c\/li\u003e\n  \u003cli\u003eTubes heating voltage: +12.6 V\u003c\/li\u003e\n  \u003cli\u003ePhantom power: +48 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 315 mA\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 630 mA\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 22.3 VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 88 x 237 mm \/ 19 x 3.46 x 9.33 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 6 kg \/ 13.22 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 7.6 kg \/ 15,43 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399556759775,"sku":"SPL-0021","price":320095.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Channel-Strips-Series-Channel-One-MK3-PIG-01.png?v=1789489322"},{"product_id":"spl-studio-channel-strips-series-channel-one-mk3-premium","title":"SPL Channel One MK3 Premium Audio Channel Strip","description":"\u003cp\u003e\u003cstrong\u003eThe perfect front-end for the modern producer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor over 20 years, Channel One has been a synonym for a high-quality and extremely musical recording and mixing channel strip.\u003c\/p\u003e\n\u003cp\u003eIn the newest Mk3 version, this classic has been thoroughly revised and, in addition to a higher internal audio voltage (now +\/-18 V) for even better, more detailed sound, a further improved preamplifier section, an integrated Transient Designer, a Tube Saturation stage and a Mic A\/B comparison option for two microphones and other great features that raise the modern recording and mixing studio to a new level of quality. With de-esser, compressor and equalizer, all the important tools of a real channel strip are still on board. Whether it’s a microphone, line, or instrument signal, the Channel One Mk3 makes any source sound like a professionally recorded signal.\u003c\/p\u003e\n\u003cp\u003eThe new design of the SPL Studio Series perfectly highlights the sonic qualities of this 3rd generation Channel One.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog inputs \u0026amp; output; XLR (balanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gainl (Mic, +9.5dB – +68 dB): 13.5 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Line, -20 dB – +16 dB): 22.5 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Instrument, -6 dB – +30dB): 15 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Mic\/Line): 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Instrument): 1.1 MΩ\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range: 10 Hz – 200 kHz\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise (EIN): -126 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 30 dB Gain): -95 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 50 dB Gain): -79.5 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 68 dB Gain): -61.7 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 600 Ω, 5 dB Gain): -96.5 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 600 Ω, 20 dB Gain): -84.7 dBu\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection (1 kHz) Mic input: \u0026lt; 80 dB\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection (1 kHz) Line input: \u0026lt; 50 dB\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 30 dB Gain: 0.0022 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 50 dB Gain: 0.013 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Mic 68 dB Gain (Max.): 0.048 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Line 0 dB Gain: 0.0022 %\u003c\/li\u003e\n  \u003cli\u003eTHD+N Ratio (1 kHz), Line 16 dB Gain: 0.0017 %\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Shielded Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for analog audio: +\/-18 V\u003c\/li\u003e\n  \u003cli\u003eOperating voltage for relays and LEDs: +12 V\u003c\/li\u003e\n  \u003cli\u003eTubes anode voltage: +250 V\u003c\/li\u003e\n  \u003cli\u003eTubes heating voltage: +12.6 V\u003c\/li\u003e\n  \u003cli\u003ePhantom power: +48 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 315 mA\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 630 mA\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 22.3 VA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 88 x 237 mm \/ 19 x 3.46 x 9.33 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 6 kg \/ 13.22 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 7.6 kg \/ 15,43 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399556825311,"sku":"SPL-0022","price":360235.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Channel-Strips-Series-Channel-One-MK3-Premium-PIG-01.png?v=1789489322"},{"product_id":"spl-studio-channel-strips-series-track-one","title":"SPL Track One Channel Strip","description":"\u003cp\u003e\u003cstrong\u003eCompact and competent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn broadcast and voice recording, the compact channel strip has already made a big name for itself. Whether singer-songwriter, live event or podcast – Track One always delivers a great sound. It enriches the microphone, line or instrument signal. De-esser, compressor\/limiter and equalizer ensure professional results.\u003c\/p\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399556890847,"sku":"SPL-0023","price":103585.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Channel-Strips-Series-Track-One-PIG-01.png?v=1789489345"},{"product_id":"spl-studio-channel-strips-series-track-one-mk3","title":"SPL Track One MK3 Channel Strip","description":"\u003cp\u003e\u003cstrong\u003eCompact and competent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn broadcast and voice recording, the compact channel strip has already made a big name for itself. Whether singer-songwriter, live event or podcast – Track One always delivers a great sound. It enriches the microphone, line or instrument signal. De-esser, compressor\/limiter and equalizer ensure professional results.\u003c\/p\u003e\n\u003cp\u003eIn the latest Mk3 version, the high-quality recording and mixing channel strip has been improved in a variety of technical details and optimized to meet the needs of modern recording studios. The new design of the SPL Studio Series provides this third generation Track One with a more intuitive and at the same time classy design.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog inputs \u0026amp; output; XLR \u0026amp; TRS Jack (all balanced, except INSTR.\/LINE IN: unbalanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gain (Mic): 10.6 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Line): 33.5 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Instrument): 21.5 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Mic): 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Line): 47 kΩ\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Instrument): 1.1 MΩ\u003c\/li\u003e\n  \u003cli\u003eMaximum output gain: 20 dBu\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Mic): 10 Hz – 195 kHz\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 30 dB Gain): -94.5 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 50 dB Gain): -79 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 64 dB Gain): -65 dBu\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise (EIN): -126.8 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 0 dB Gain): -97 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 10 dB Gain): -90.5 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 22 dB Gain): -79 dBu\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection (1 kHz): 80 dB\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 130.5 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Shielded Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for analog audio: +\/- 15 V\u003c\/li\u003e\n  \u003cli\u003ePhantom power: 48 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 200 mA\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 400 mA\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 15 W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 44 x 210 mm \/ 19 x 1.73 x 8.27 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 3.4 kg \/ 7.49 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 4.5 kg \/ 9.92 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399557054687,"sku":"SPL-0024","price":153190.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Channel-Strips-Series-Track-One-MK3-PIG-01.png?v=1789489322"},{"product_id":"spl-studio-channel-strips-series-track-one-mk3-premium","title":"SPL Track One MK3 Premium Audio Channel Strip","description":"\u003cp\u003e\u003cstrong\u003eCompact and competent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn broadcast and voice recording, the compact channel strip has already made a big name for itself. Whether singer-songwriter, live event or podcast – Track One always delivers a great sound. It enriches the microphone, line or instrument signal. De-esser, compressor\/limiter and equalizer ensure professional results.\u003c\/p\u003e\n\u003cp\u003eIn the latest Mk3 version, the high-quality recording and mixing channel strip has been improved in a variety of technical details and optimized to meet the needs of modern recording studios. The new design of the SPL Studio Series provides this third generation Track One with a more intuitive and at the same time classy design.\u003c\/p\u003e\n\u003ch3 style=\"background:#f3f3f3;border-left:4px solid #111111;padding:8px 12px;font-size:18px;line-height:1.3;font-weight:700;text-transform:uppercase;letter-spacing:.04em;margin:28px 0 14px;\"\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog inputs \u0026amp; output; XLR \u0026amp; TRS Jack (all balanced, except INSTR.\/LINE IN: unbalanced)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMaximum input gain (Mic): 10.6 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Line): 33.5 dBu\u003c\/li\u003e\n  \u003cli\u003eMaximum input gain (Instrument): 21.5 dBu\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Mic): 10 kΩ\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Line): 47 kΩ\u003c\/li\u003e\n  \u003cli\u003eInput impedance (Instrument): 1.1 MΩ\u003c\/li\u003e\n  \u003cli\u003eMaximum output gain: 20 dBu\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 75 Ω\u003c\/li\u003e\n  \u003cli\u003eFrequency range (Mic): 10 Hz – 195 kHz\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 30 dB Gain): -94.5 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 50 dB Gain): -79 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Mic Preamp, 150 Ω, 64 dB Gain): -65 dBu\u003c\/li\u003e\n  \u003cli\u003eEquivalent Input Noise (EIN): -126.8 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 0 dB Gain): -97 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 10 dB Gain): -90.5 dBu\u003c\/li\u003e\n  \u003cli\u003eNoise (A-weighted, Line\/Instr Preamp, 22 dB Gain): -79 dBu\u003c\/li\u003e\n  \u003cli\u003eCommon mode rejection (1 kHz): 80 dB\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 130.5 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Linear Power Supply with Shielded Toroidal Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eOperating voltage for analog audio: +\/- 15 V\u003c\/li\u003e\n  \u003cli\u003ePhantom power: 48 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMains Power Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eMains voltage (selectable): 230 V AC \/ 50; 115 V AC \/ 60 Hz\u003c\/li\u003e\n  \u003cli\u003eFuse for 230 V: T 200 mA\u003c\/li\u003e\n  \u003cli\u003eFuse for 115 V: T 400 mA\u003c\/li\u003e\n  \u003cli\u003ePower consumption: max. 15 W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions \u0026amp; Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"margin:0 0 4px;padding-left:22px;\"\u003e\n  \u003cli\u003eW x H x D (width x height x depth): 482 x 44 x 210 mm \/ 19 x 1.73 x 8.27 inch\u003c\/li\u003e\n  \u003cli\u003eUnit weight: 3.4 kg \/ 7.49 lbs\u003c\/li\u003e\n  \u003cli\u003eShipping weight (incl. packaging): 4.5 kg \/ 9.92 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":51399557218527,"sku":"SPL-0025","price":177325.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/6801\/4303\/files\/SPL-Studio-Channel-Strips-Series-Track-One-MK3-Premium-PIG-01.png?v=1789489345"}],"url":"https:\/\/proaudiogear.in\/collections\/channel-strips\/spl.oembed","provider":"proaudiogear.in","version":"1.0","type":"link"}